Two participative experiences of photography: Our Raval and audio-visual Maps of the city

El Nostre Raval

The exhibition I work the street. Joan Colom, photographs 1957-2010  has been an incentive for a group of youths and, furthermore, 11 centers that attend people with cognitive and physical disabilities, to develop a series of different photographic projects that have in common the fact of taking a close look at their most immediate urban…

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Author: Teresa González

The tao of handling works of art

One of the considerations that is frequently overlooked in the handling of works of art, besides technical considerations, is the attitude that art handlers have to take when approaching their work. The peculiar nature of this profession makes necessary not just technical expertise, but also an understanding of it as another link in the safeguarding…

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Author: Lluís Alabern

The museum seen by instagramers

During holiday time, many of us tend to take photos. We have collected together some of the ones we liked most of those taken by our visitors, via Instagram and TripAdvisor. It is only a taste of the creativity and a good eye for photography that help the works and spaces show off. We are very grateful…

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Author: Redacció museu

The renewal of the collection: new formats, new narrative

Àmbit. L'artista modern. Retrats i autoretrats

The modern art and contemporary collections of the Museu Nacional d’Art de Catalunya originate from the Universal Exposition that held in Barcelona in 1888. From that moment on and through very distinct processes, from museum systems and institutional acquisitions, to private donations and from artists, including popular subscriptions, a collection was formed which at the…

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Author: Juan José Lahuerta

Modernist architecture on the postcards of the Library

The oldest postcard circulated in Spain was issued in 1892. At the end of the 19th century, the Universal Postal Union regulated the format –9 x 14 cm– which was maintained until 1960, approximately, even though modern postcards are a little bigger. The first ones, published by the post office administrations, were very monotonous but…

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Author: Yolanda Ruiz

Female identities in art

Ramon Casas. La mandra. Cap a 1898-1900.

The collection of the Museu Nacional d’Art de Catalunya conserves a large number of works in which the image of the woman takes on a major prominence, and becomes an authentic advertising claim. Far from perpetuating the most conventional iconic stereotype that projected a fixed cultural cliché, which associated the woman with certain maternal behaviour…

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Author: Francesc Quílez

A dead revived: Viladomat’s self-portrait

autoretrat de Viladomat

On the occasion of the exhibitions based around the figure of the painter Antoni Viladomat, his Self-Portrait has been restored. His work that was in the reserves of the museum, was not exhibited due to its poor state of conservation. The painting had suffered the consequences of some unfortunate vicissitudes it had undergone in the…

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Author: Núria Prat

Trends in Museums: ICOFOM Symposium in Paris

Nouvelles tendances de la museologie

Conxa Rodà By invitation from the Committee of Museology of the ICOM (ICOFOM), the museum participated in the international symposium in the Sorbonne University dedicated to New Trends. In a changing world and one of accelerated transformation, rethinking the role of the museums and of museology has become a need not only to progress, but…

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Author: Conxa Rodà

Bibliographic exchange in the Joaquim Folch i Torres Library

Biblioteca Museu Nacional

Throughout the history of the library of the Museu Nacional, numerous documents have been incorporated through purchases, exchanges and donations. In this way, the library collection has ended up being of major value to study and research in the artistic field. The acquisition through purchases are carried out by means of a close collaboration between…

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Author: Jana Soto

Participating in Google Art Project: opportunity or competition?

Google Art Project

When Google Art Project appeared on the scene in February 2011, the Museu Nacional had only just made available the online collection and had published the catalogue of the works exhibited in the rooms, making them more accessible. Once we had got over the first impulse of finding out how to contact Google and to…

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Author: Montse Gumà