The restoration that sheds light on a work affected by the passage of time. Front and back of the Christ and the cross prior to restoration. Photograph by Jordi Calveras. In the post published on 10 June last year reference was made to the many earlier restorations prior to the admission of the Christ and…
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Eduard Vallès 18 November 1939. Camp de la Bota, Barcelona At a quarter to six in the morning Lluís Serra Giribert (Manresa, 1903 – Barcelona, 1939) was executed by firing squad at Camp de la Bota. He was 36. Born in Manresa, he was adopted by a well-to-do family in Horta de Sant Joan (Terra…
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Ro Caminal In the Presence of the Lord, Francesc Masriera, 1891 Looking necessarily means making use of our cultural, socioeconomic and personal heritage to see. The look acts as a technology that disciplines us when interpreting what we see. The spectator, in the first instance, cannot look stripped of that burden that conditions what they…
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Juliette Raussin From the museum as a temple to the museum as an actor in its present For the last five months I have had the privilege of being part of the Museu Nacional d’Art de Catalunya’s Department of Museography in the framework of a curricular internship. This experience has been enriching in many ways…
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Francesc Quílez and Aleix Roig Images of the exhibition. Photo: Marta Mérida The exhibition The Heartbeat of Nature has been put together from the different elements arising from the artist’s relationship with nature. The connecting thread is work on paper, present in the six sections of the exhibition, in which the nearly 80 pieces are…
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Esther Fuertes and Dolors Juárez What is Connectades. Fem un projecte (Connected. Let’s creat a project)? Connectades. Fem un projecte is a new forum for experimentation in education, in the search for a sustainable model of collaboration between schools and the Museum. Rethinking the lessons that we learned with the Tàndem schools project with the…
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Francesc Quílez and Aleix Roig The exhibition The Heartbeat of Nature is intended to be an immersive experience, given that it immerses us in the relationship, the very close contact, that in the nineteenth century artists established with the physical environment, and how this connection was transformed into a very fruitful response, which gave rise…
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Paz Marqués Madrid, Barcelona and Rome are the venues for a travelling exhibition curated by Andrés Úbeda, deputy director of the Museo del Prado, with the aim of bringing together an extraordinary group of paintings composed of the fragments of fresco mural paintings, which have been removed, and an altar panel. They were originally in…
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Àngels Comella and Joan Yeguas In the Museu Nacional d’Art de Catalunya (Barcelona) and the Museo Nacional del Prado (Madrid), two virtually identical portraits are conserved. This leads us to formulate different questions. Could both paintings have been done by the same artist? If they were, what part did the painter’s workshop play in it?…
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Conxa Rodà This post is a version of the talk given within the framework of the #JornadaCoeli22 held in the Ateneu Barcelonès on 2nd June. Humans have had collaborative DNA since prehistoric times: to hunt mammoths, to survive, men did so in groups. Today, in order to carry out our projects successfully, we need to…
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