A luxurious 16th-century bride’s chest in the Museu Nacional

Daniel Vilarrúbias The chest was perhaps the container par excellence in Catalonia in the early modern period, since the type appears in the mid 15th century, coexisting with iron-bound or heavier-looking chests, and it disappears in the middle of the 18th century, when the wardrobe became widespread and the chest of drawers suddenly appeared, dressing…

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Author: Z_ Guest blogger

Bread in the Last Supper of the early Gothic

pa gòtic

Pablo José Alcoverand Rosa Mayordomo Bread, a brief history From prehistory to the Middle Ages, bread played a decisive role in food. So far, the oldest bread remains have been found in an excavation in Israel. They are 22,500 years old, that is to say, from the Upper Paleolithic period. These prehistoric loaves would be rounded,…

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Author: Z_ Guest blogger

The Master of the Prodigal Son in the storerooms of the Museu Nacional, an old Flemish altarpiece

Ana Diéguez-Rodríguez Some years ago I had the opportunity to visit the art storerooms of the Museu Nacional d’Art de Catalunya on Montjuïc. I was accompanying the conservator of the museum’s Renaissance and Baroque Department, Joan Yeguas, and the group of students from the University of Lleida on the Master’s degree course in the cataloguing…

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Author: Z_ Guest blogger

Visiting the Museu Nacional d’Art de Catalunya, for real!

visita al MNAC

Céline Mülich Visiting museums in Barcelona and writing about them is my daily business, an ordinary activity that lately has been converted into something really special. With the museums being closed for weeks, we had to get back to virtual experiences, such as consulting the web, online collections, podcasts, videos, social media or virtual visits…

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Author: Z_ Guest blogger

The presence of cherries in the Gothic altarpieces in the Museu Nacional d’Art de Catalunya. A brief history of medieval fruit

Mestre de la Porciúncula, Mare de Déu de la Porciúncula (detall), c. 1450, Museu Nacional d’Art de Catalunya

Pablo José Alcover Cateura and Antoni Riera Melis Introduction Cherries are depicted in two Gothic altarpieces in the Museu Nacional d’Art de Catalunya. This entry in the museum’s blog will explain why they are there. First, a few notes about the word ‘cherry’. The English word, the Catalan cirera and the Castilian cereza all come…

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Author: Z_ Guest blogger

25 Years of Museum Connections

Irina Grevtsova Their doors closed due to the COVID-19 crisis, therefore museums and many cultural institutions have had to sharpen their wits in order to continue providing their visitors – now, virtual visitors – with high-quality initiatives. Without wishing to ever replace the direct experience of a visit – to incentivize it rather, in what…

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Author: Z_ Guest blogger

Students of Interior Design at the Escola Massana visit the Museu Nacional d’Art de Catalunya, II

Estudiants de Disseny d'Interiors de l'Escola Massana

The inlay work of Gaspar Homar ESTER COBLES PÉREZ and SOL URBANO MORALES The late nineteenth century was a period of sharp socioeconomic contrasts, emerging due to the process of industrialization in cities. In Barcelona, this process, along with the return of wealthy capitalists because of the Cuban crisis, created an economic boom. The flow…

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Author: Z_ Guest blogger

Students of Interior Design at the Escola Massana visit the Museu Nacional d’Art de Catalunya, I

Capçalera del blog. Sala de la col·lecció d'Art Modern

Last year, the students in the second year of the Higher Diploma in Visual Arts and Design for Interior Design Project Management at the Escola Massana visited the museum. The results of this visit are six texts in which the students analyse and contextualize different items of furniture and the decorative arts in the Modern…

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Author: Z_ Guest blogger

Love and desire at the Museu Nacional d’Art de Catalunya: the guilt-free body project

Sessió Moodboard 3

Pupils and teachers of the Plastic Arts, Image and Design Batxillerat course at the schools of the Garbí Pere Vergés Schools Foundation The project The Guilt-free Body (El cos sense culpa) enabled us to work with the Museu Nacional d’Art de Catalunya during the 2018-19 academic year. In this article we shall explain what motivated…

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Author: Z_ Guest blogger

The Preventive Conservation Plan in Museums

Juan Antonio Herráez During the week of 7-11 October, all around the museum facilities one could see many conservators without their characteristic white lab coats. The museum hosted the course The Preventive Conservation Plan in Museums, organised by CRAC (Associated Conservators-Restorers of Catalonia), in collaboration with the Museu Nacional d’Art de Catalunya itself and IPCE…

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Author: Z_ Guest blogger