Tag: technology

25 Years of Museum Connections

Irina Grevtsova Their doors closed due to the COVID-19 crisis, therefore museums and many cultural institutions have had to sharpen their wits in order to continue providing their visitors – now, virtual visitors – with high-quality initiatives. Without wishing to ever replace the direct experience of a visit – to incentivize it rather, in what…

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Author: Z_ Guest blogger

Is immersion the crucial new algorithm for cultural experiences?

Insights from the 4th Cultural Heritage Conference, Barcelona Irina Grevtsova In recent years, the word “immersive” has become fashionable and it is used to describe almost everything: living as a local in a tourist destination; bathing beneath waterfalls in a digital cascade; going on stage and interacting with actors; taking selfies in pop-up installations, or…

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Author: Z_ Guest blogger

The new digital tools, at the service of the museums and their audiences

Montse Frisach Without display cabinets, without glass protectors, without a map or guide, without any barrier between what is being looked at by the spectator.  This is how things are seen at the Mori Building Digital Museum in Tokyo, inaugurated in June 2018, an initiative by the interdisciplinary teamLab Borderless, made up of artists, programmers,…

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Author: Z_ Guest blogger

Digital experiences to connect with museum visitors

Conxa Rodà Attracting more – and more diverse – visitors is one of the goals that museums and arts centres pursue. But it’s not enough just to attract visitors. You have to go much further and provide users with enriching experiences that help them to explore, learn and enjoy, and which make it possible to…

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Author: Conxa Rodà

9 notes about innovation and change (in less than 140 characters)

Conxa Rodà The ancient ones already said so: “Novare aut perire” either we innovate or we stagnate and, therefore, we die from involution A tip for directors: explore the internal talent of your organisation before going out and looking for it elsewhere. Afterwards, mix them The cost of not innovating, or when saving on innovation…

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Author: Conxa Rodà

Digital action in museums of China: Palace Museum of Beijing and others

Conxa Rodà Who could have told me that I’d be returning to China one year on. This time invited by the Palace Museum of the Forbidden City of Beijing, to participate in the CTIFòrum (Culture + Tech International Forum). An encounter based around museums and digital, where experiences were presented by Chinese museums and from…

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Author: Conxa Rodà

Creating an art gif in the museum

Natalie Tsvirko Has this ever happen to you while visiting a museum or an exhibition?… Remember that moment when you are so fascinated by an artwork by a great master that it almost revives in your imagination? Your mind creates that situation and that atmosphere around the artwork that is very personal and inspiring. It…

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Author: Z_Estudiants en pràctiques de Postgraus i Màsters

The digital publishing of the museums’ publications, an opportunity

Javier Celaya Digital publishing provides a major opportunity for making our content more accessible to the public.  With the holding of the Líber book fair this October in Barcelona a lot has been said about electronic publishing and distribution.  Within this context, we have asked Javier Celaya for some hints and recommendations to activate digital…

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Author: Z_ Guest blogger

Talking of museums in China /2

Conxa Rodà We talked in a previous post of the tour that the Museu Nacional was invited to do by Museums and the Web to three Chinese cities and we commented on the characteristics and challenges of the museums there. Today we’ll share content extracted from the lectures and show the museums we visited. Talks and…

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Author: Conxa Rodà

Recovering The Violinist/1

Àlex Masalles Last July we announced that the crowd-funding campaign “Save The Violinist” had concluded successfully. It was set up by the Friends of the Museum to raise the necessary funds to pay for the cost of the complex conservation-restoration work required by Pau Gargallo’s The Violinist. Thanks to the contributions of over 250 patrons,…

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Author: Àlex Masalles