Àngels Comella and Joan Yeguas In the Museu Nacional d’Art de Catalunya (Barcelona) and the Museo Nacional del Prado (Madrid), two virtually identical portraits are conserved. This leads us to formulate different questions. Could both paintings have been done by the same artist? If they were, what part did the painter’s workshop play in it?…
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Joan Yeguas In the current exhibition Maternasis, curated by Àlex Mitrani, and which can be visited at the Museu Nacional until 25 September 2022, you can see a Virgin of Good Hope. The work has been chosen as a symbolic and explicit representation of the gestation of the Virgin’s pregnancy, a subject little known by…
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Joan Yeguas In 1949, along with the main group of paintings from his collection, the portrait of a gentleman – with inventory number 64995 – entered the museum via the bequest of Francesc Cambó i Batlle (Verges, 1876 –Buenos Aires, 1947). On the back of the canvas there was an inscription in French that has…
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Joan Yeguas The Museu Nacional d’Art de Catalunya looks after a collection of almost 1,400 works in the Renaissance and Baroque Art collection, most of which are in the storerooms. Like other museums, a percentage of the total is usually loaned out to different entities or public bodies. One of these cases arises in the…
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Joan Yeguas In the donation that Enric Batlló made in 1914, there appears a reference to an “Alegoría de la Santísima Trinidad (tres caras en una). Siglo XVII” (Allegory of the Holy Trinity (three faces in one). 17th century). This is an oil on canvas (45.5 x 38 cm) which represents a bust of Christ,…
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Joan Yeguas The materials in the Museu Nacional d’Art de Catalunya’s storeroom include works little known to the public and to Art History scholars. One example is Still-life by Antonio Ponce. An oil painting on canvas (38 x 55 cm), it entered the museum in 1962 as part of the bequest of Domènec Teixidó i…
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Joan Yeguas One of the sculptures of the Museu Nacional which catches the attention of the public is an image nailed to the cross wearing a tunic and with a beard. Despite this description, this is not a Christ in Majesty crucified. The work was restored by the Area of Restoration and Preventive Conservation, and…
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Joan Yeguas August Liebmann Mayer (Griesheim, 1885 – Auschwitz, 1944) was one of the great experts on Spanish painting of his day; his opinion was heeded in academic circles, the world of museums and the field of art dealing. He graduated in Berlin in 1907 under the wing of Heinrich Wölfflin and with the support…
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Joan Yeguas The Museu Nacional d’Art de Catalunya’s reserve collection contains works little known to the public and to scholars of art history. One example is Oratory (1525-1618). It is a small wooden oratory (97 x 52 cm) with porphyry and onyx incrustations, and a central panel painting. The work was purchased from the heirs…
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Joan Yeguas Albrecht Dürer was a recognised German painter and printer from the Renaissance period. His woodcut prints were fundamental for the pictorial and sculptural art of the 16th century throughout Europe. The influence of engraving as a source of inspiration is a well-known theme and one studied by specialists. In Italy, it is worth…
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