Àngels Comella and Joan Yeguas In the Museu Nacional d’Art de Catalunya (Barcelona) and the Museo Nacional del Prado (Madrid), two virtually identical portraits are conserved. This leads us to formulate different questions. Could both paintings have been done by the same artist? If they were, what part did the painter’s workshop play in it?…
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Conxa Rodà This post is a version of the talk given within the framework of the #JornadaCoeli22 held in the Ateneu Barcelonès on 2nd June. Humans have had collaborative DNA since prehistoric times: to hunt mammoths, to survive, men did so in groups. Today, in order to carry out our projects successfully, we need to…
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Mireia Campuzano i Mireia Mestre The exhibition Museum in Danger! Safeguarding and Organization of Catalan Art During the Civil War is due to end shortly, having highlighted the steps taken by the museum’s directors and technicians to save the Catalan artistic heritage after the coup d’état. It was a tumultuous period, in which ceaseless efforts…
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We present today the Museu Nacional d’Art de Catalunya’s exhibitions programme for 2019, centred on the first major retrospective exhibition about Bartolomé Bermejo, one of the most fascinating painters of the fifteenth century. The work of the Barcelona photographer Oriol Maspons will be the subject of a large-format retrospective. The Museu Nacional continues disseminating knowledge…
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Benoit de Tapol Canada, Belgium, India, Nigeria, Chile … these countries already have a national strategy for implementing the Re-Org programme in museums, a method for reorganizing storage spaces, improving storage and the system of documenting collections, created by ICCROM (International Centre for the Study of the Preservation and Restoration of Cultural Property) – UNESCO….
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Sílvia Tena Art collections and, in general, any kind of heritage require great care and protection to ensure their safety with respect to losses or external damage. Works of art experience periods of extreme vulnerability (movement, transfer, intervention, restoration work, temporary exhibitions and so on). One of the aims of good collection management is to…
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The artist and curator Francesc Torres has spent the past two years delving into the stores of the museum to extract some censored, mutilated artworks, hidden for political reasons or destroyed for multiple reasons, and he has presented them in apparent disorder, in the exhibition The Entropic Box.The Museum of Lost Objects. This article has been…
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Sílvia Tena A little bit of history The office of registrar (an English term that derives from its American origins and influence) came into being in the late nineteenth century, although its roots are buried deep in the European royal collections and cabinets of curiosities of the eighteenth century. In 1881 the US National Museum…
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The museums find themselves, in the heart of the 21st century, in a definitively new environment which requires them to make a profound change in the way they act and relate with society. With no doubt, museums have overcome the model based on a nineteenth century conception that defined them as deposits of heritage to be catalogued, protected and exhibited.
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