Plans for the summer? The museum doesn’t close!

White Bouncy Castle From 11th to 28th July, come and jump and create your own choreography within this 45 metre inflatable castle of! White Bouncy Castle is a choreographic installation designed by the dancers and choreographers William Forsythe and Dana Caspersen and forms part of the programming of the Festival Grec of Barcelona. Room-by-room tours…

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Author: Redacció museu

El Víbora: Comix countercultural. Making of an exhibition

Antoni Guiral There are things that emerge by chance, or because it was really up to you to do something.  In 2018, I proposed an exhibition for the Saló del Còmic of Barcelona about the magazines from the comic boom. It’s forty years since one of the first ones emerged, 1984, and I thought it…

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Author: Z_ Guest blogger

Meetings with influencers: creating dialogues in the net about the exhibitions of the Museu Nacional

Teresa Llibre Boosting the discovery of the exhibitions of the museum, enriching the contents and generating debate through the social networks.  These are the aims of the meetings with influencers and prescribers 2.0 that the Museu Nacional has organized, led by Iuris.doc. An influencer is a person who has credibility with regard to a specific…

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Author: Z_ Guest blogger

Peccata Mundi, the ceremony-performance by Miralda

Lluís Alabern Peccata Mundi is an artistic ceremony-performance-installation, thought up by  Antoni Miralda (Velázquez Awards for Plastic Arts, 2018) based around a huge bedspread which reproduces the Agnus Dei from the Romanesque mural painting of Sant Climent de Taüll. This enormous tapestry was created in 1989 as a wedding present for the symbolic marriage that…

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Author: Lluís Alabern

Beneath the colour: the underlying drawings of Bartolomé Bermejo

Mireia Campuzano and Carme Ramells The exhibition Bermejo: the 15th-Century Rebel Genius has for a few months allowed us to enjoy exceptional works by this Flemish influenced artist. In this blog, however, we shall be placing the emphasis on studying the early stages of the creative process and we shall turn our gaze to what…

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Author: Mireia Campuzano

Affective communication: a very powerful tool of change

Sandra Esteban The demands of everyday life, the fragmentation of work spaces (both physical as well as organisational) and the excess of technification, means that we are increasingly working in a more isolated and disconnected way from each other. This reality, which can be found in a large number of organisations, leads to a deterioration…

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Author: Sandra Esteban

The Ayala family: a metaphor for social ostentation

Joan Yeguas As part of the visit to the Renaissance and Baroque Art collection there is an area called “Portraiture: Painted Biographies”, with a small section devoted to “The image of the donor”, a good place to observe how the assertion of individuality is captured in portraits and how in certain cases a person’s social…

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Author: Joan Yeguas

Vittoria Colonna, «the most famous woman in Italy»

Pilar Vélez Vittoria Colonna was a woman with a great personality, a poetess, and according to some authors, “the most famous woman in Italy”. On one hand she was the daughter of Fabrizio Colonna and Agnese da Montefeltro, and the granddaughter of Federico da Montefeltro, Duke of Urbino. And on the other, she was the…

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Author: Z_ Guest blogger

Maria Sampere and Francesc Pausas in the Museu Nacional d’Art de Catalunya

Sílvia Lanceta It is surprising, or at least a little bit, that after the fascination caused by this female portrait, the fact is we know almost nothing about the author of this painting, Francesc Pausas i Coll. The woman of the portrait, who appears from within the darkness with a closed smile, disturbing and with…

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Author: Z_ Guest blogger

Museums and the web 2019: a recap

Conxa Rodà This post is intended to offer a quick digest of a dense Museums and the Web 3-day conference in Boston, with literally hundreds presentations, papers, forums, how-to sessions, demos, exhibits, lightning talks, Q&A sessions and conversations. For the sake of clarification, I have divided the content into three main lines/topics : audiences collection…

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Author: Conxa Rodà