The 5 most-read posts in the first year of the blog

Every Thursday for a year, in this blog we have been sharing the “secrets” of the museum’s day-to-day working. The process of creating and putting on exhibitions, the restoration of works, the challenges posed by digital innovation, innovative methods of management, as well as knowledge capsules about the collection, have made up the content. All…

Read more »
Author: Redacció museu

A new attribution to Joan Mates, a painter of Catalan Gothic

On the basis of its style, a small fragment from an altarpiece in the collection of the Ulm Museum (Germany) can be attributed to the painter Joan Mates, one of the principal exponents of Catalan Gothic. With the attribution of this piece – of singular iconography – to this artist, not only has the painter’s…

Read more »
Author: Cèsar Favà

#MuseumWeek 2015: main content points

For the second consecutive year, the Museu Nacional has participated in the #MuseumWeek 2015 initiative, a global event in which more than 2.800 museums around the world have synchronised and concentrated all the conversations generated around museum activities on Twitter during only one week. Why participate in #MuseumWeek? The Museu Nacional believes that social networks are…

Read more »
Author: Redacció museu

The magnificence of the “fashion” and the brightness of the colours of Gothic II

The use of incisions by the artist As we saw in the previous post, once the panel had been prepared with the different layers of plaster, the artist made the preparatory sketch. He began with sticks of charcoal and, when it was done, he half erased it with a feather; he then went over the entire drawing…

Read more »
Author: Núria Prat

Joaquim Mir’s Majorcan stained glass triptych, The Blue Pool

El Gorg Blau (The Blue Pool) was a beauty spot in the Tramuntana mountain range in Majorca, one of the highest and wildest points on the island. There, after passing through a deep narrow gorge, a mountain stream drained into a small lake before continuing on its way to the sea. This place in Majorca,…

Read more »
Author: Martí Casas

The mural painting transfer kitchen

Cheese, milk, gelatin and flour could be some of the ingredients placed on the desks in Franco Steffanoni’s restoration workshop. We are not talking about a cook here, but a restorer who works with works of art –to be precise, with material patrimonial assets (for nobody can deny that culinary dishes are works of art…

Read more »
Author: Núria Oriols

Tech trends beyond 2015 / 3

Conxa Rodà This third and final part of the series about the tech trends in museums deals with the technologies that go beyond 2015. To some it might seem a bit futurist. But it would be very convenient for us to be alert to the social digital trends and uses, and to keep experimenting and…

Read more »
Author: Conxa Rodà

An industrial heritage uncovered: the archaeological intervention at la Seca (The Mint) I

Coins minted at la Seca throughout the 19th century: 20 pesetas of the Napoleonic occupation of 1812, back; 20 Reales of Fernando VII of 1822, face; 6 provincial quarters of 1846, back; 100 Reales of Isabel II of 1861, face, and 10 cents of Alfonso XII of 1877, face. Photos: Museu Nacional d’Art de Catalunya…

Read more »
Author: Albert Estrada-Rius

The magnificence of the “fashion” and the brightness of the colours of the Gothic I

The panel of The princess Eudoxia in front of the tomb of Saint Stephen of the altarpiece of Saint Stephen of Granollers represents the Roman Emperor Theodosius II and Empress Eudoxia leading their daughter, the princess Eudoxia, possessed by the devil, in front of the relics of Saint Stephen. It shows the moment of the…

Read more »
Author: Núria Prat

A museum more ecological and more economic: new installations in Modern Art

Even though we don’t have such an impact on the environment as the industrial sector, museums consume an important amount of energy, above all in terms of air conditioning and heating, as each gallery has to have a specific and constant degree of humidity and temperature, but also due to the lighting of the large…

Read more »
Author: Xavier Abelló