Category: General

Scenes of creation: artists’ workshops /2

Francesc Quílez The artist’s workshop: a multi-faceted space Ending this digression and getting back to the connecting thread of my discourse, I wish to demonstrate how this phenomenon of versatility allows me to make different approaches, and to take a very detailed look at the various facets presented by the motif to which I am…

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Author: Francesc Quílez

Scenes of creation: artists’ workshops / 1

Francesc Quílez In the course of the nineteenth century, the traditional artist’s workplace was transformed into an interesting motif for the artistic practice of the period, acquiring a scenographic dimension that had hitherto been unexplored. The depiction of the workshop had in fact already been featured in some of the most outstanding creative episodes in…

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Author: Francesc Quílez

The Process of Conservation-Restoration of Saint Lliberada (Wilgefortis) by Andreu Sala

Àngels Comella Joan Yeguas, curator of the Museu Nacional d’Art de Catalunya’s Renaissance and Baroque Art collection, mentioned the historical and artistic interest of this magnificent polychrome woodcarving, dated to about 1689, in a previous post. I shall now refer to the restoration and conservation process to which it has been subjected, and which has…

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Author: Àngels Comella

Adapting ourselves to the new reality: remote work

teletreball avantatges i inconvenients

Cristina Riera Four months ago, no one imagined that our lives would change as much as they have because of the pandemic caused by the coronavirus. There has been a lot of talk about teleworking for a long time, and while it is true that private companies have made great strides in this area, the…

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Author: Cristina Riera

Unidentifiable Sketch. A contemporary drawing project in the Espai educArt with the excuse of Fortuny

Croquis inconcret Èlia Llach

Èlia Llach To prepare this project, the artist Èlia Llach (Barcelona, 1976) consulted the collection of the museum’s Cabinet of Drawings and Prints several times. There, what most caught her eye were some drawings by the painter Marià Fortuny (Reus, 1838 –Rome, 1874) classified as ‘Vague Sketches’, an apparently contradictory title referring to sketches that…

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Author: Èlia Llach

Gaspar Homar, amateur photographer

Gaspar Homar fotografia

Mariàngels Fondevila As a good Modernista, following in the footsteps of William Morris, Gaspar Homar was a many-faceted artist; he made furniture, metal objects, mosaics, textiles, marquetry, drawings, he was an antiques dealer and also an amateur photographer. This is confirmed by the recent admission to the Museu Nacional of a collection comprising nearly 68…

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Author: Mariàngels Fondevila

Artists Living and Creating at Home: Days of Confinement

Sandra Figueras We have now spent more than 50 days confined in our homes by the Covid-19 health crisis, a new scenario and a reality that we are gradually getting used to. The boundaries of what we thought was possible have expanded and at the same time our everyday world has grown smaller, cut off…

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Author: Sandra Figueras

History of a symbol: the searchlights of the Palau Nacional

Focus de llum del Palau nacional de Barcelona

Mireia Berenguer When you talk about the city of Barcelona graphically or draw its skyline, there are always a series of significant monuments and buildings in the city, such as the Sagrada Familia, the Agbar tower, the monument to Columbus or the triumphal arch, but there is also the Palau Nacional  with its unmistakable beams…

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Author: Mireia Berenguer

Concerning “Fabrica de salchichon de Vich Juan Torra” (1896), by Alexandre de Riquer

fabrica de salchichon riquer

Adela Laborda In 1893 the artist, writer, collector and pioneer of Modernista graphic arts in Catalonia, Alexandre de Riquer (Calaf, 1856 – Palma, 1920), put a masterpiece up for sale that is now in the Museu Nacional d’Art de Catalunya’s Renaissance and Baroque collection: The Martyrdom of Saint Bartholomew (1644), by Jusepe de Ribera, “lo…

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Author: Adela Laborda

The presence of cherries in the Gothic altarpieces in the Museu Nacional d’Art de Catalunya. A brief history of medieval fruit

Mestre de la Porciúncula, Mare de Déu de la Porciúncula (detall), c. 1450, Museu Nacional d’Art de Catalunya

Pablo José Alcover Cateura and Antoni Riera Melis Introduction Cherries are depicted in two Gothic altarpieces in the Museu Nacional d’Art de Catalunya. This entry in the museum’s blog will explain why they are there. First, a few notes about the word ‘cherry’. The English word, the Catalan cirera and the Castilian cereza all come…

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Author: Z_ Guest blogger