Eduard Vallès 18 November 1939. Camp de la Bota, Barcelona At a quarter to six in the morning Lluís Serra Giribert (Manresa, 1903 – Barcelona, 1939) was executed by firing squad at Camp de la Bota. He was 36. Born in Manresa, he was adopted by a well-to-do family in Horta de Sant Joan (Terra…
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Manel Garcia Clavero Between 1888 and 1911 Barcelona experienced one of the most important artistic episodes of the modern age. It was a moment when institutional and public awareness of culture was awakened, an initiative that was part of the wish to make the city a capital on a par with the great European centres….
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M. Lluïsa Faxedas The exhibition Celso Lagar and Hortense Bégué. The Catalan Years (1915-1918), which can currently be visited at the Museu d’Art de Girona, includes some pieces and documents from the collections of the MNAC. Among them are the small catalogues of the exhibitions that Lagar mounted in 1916 and 1918 at Galeries Laietanes,…
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Eduard Vallès This text is the continuation of the previous blogpost, which deals with the collection of works by the artist Joaquim Torres-García in the Museu Nacional. This year sees the 130th anniversary of the Uruguayan artist’s arrival in Barcelona and his settling down in the city where he lived – and trained as an…
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Eduard Vallès In 2022 it is exactly 130 years since the artist Joaquim Torres-Garcia (Montevideo, 1874-1949) arrived in Barcelona. I feel the anniversary is the perfect excuse to shine the spotlight on one of the most international artists who worked – and also trained – in Catalonia. That is why we will write about his…
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Seasonal changes have always been a source of inspiration for artists. The landscape and the climate have a decisive influence on our mood and our perception of the reality around us. With the onset of winter, our environment is changing, giving way to postcards of snow and icy squares and streets. Fog, bare trees, and…
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Eduard Vallès This article has been published in Catalan and Spanish, with some variations, in the magazine Mirador de las Arts, 3 August 2020. This is not an article about Josep Pla, nor perhaps about Nonell, it is rather about the Nonell of Pla that, for different reasons, ends up being something else. It deals,…
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Elena Llorens and Eduard Vallès Following last week’s post, in which we reported on the main new items that visitors will find in the refurbished space “Art and the Spanish Civil War” of the collection of Modern Art, today we will focus on the important collection of works from this period preserved by the Museu…
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Eduard Vallès and Elena Llorens The Spanish Civil War was, without doubt, one of the bloodiest wars in the European history of the twentieth century and as such not only opened a deep wound in Spanish society but also left an indelible mark on the artistic production of the time, formally and thematically determining it….
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Francesc Quílez i Eduard Vallès The banality of everyday life The major iconographic groups linked to the human figure that provided the vehicle enabling Nonell to find artistic elevation are, basically, those that represent the margins of society. However, in truth, a considerable proportion of Nonell’s production depicts his nearest environment, the urban artisan classes….
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