Category: Collection

Taking a close look at the Christ of Sant Climent de Taüll

Sant Climent de Taüll

How many times have we seen this image? Many, for sure. And more so, taking into account that it has recently been very present in the press. The discovery of the remains of paint, or the deeper layers, has been in the news, in the church itself of Sant Climent de Taüll and also the…

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Author: Núria Oriols

Treasures of the library: the Breviarium cartusianum

The museum’s library conserves an incunabula copy of the Breviarium cartusianum published in 1491 in Venice by Andrea Torresano. The copy was bought by the Board of Museums from Alexandre de Riquer in 1914, with municipal funds for the acquisition of the work, for the price of four hundred pesetas. The printer: Andrea Torresano (1451-1529)…

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Author: Yolanda Ruiz

The how and why of the restoration of a watercolour by Tapiró

Imatges del final de la intervenció, amb llum difosa (esquerra) i rasant (dreta).Imatges del final de la intervenció, amb llum difosa (esquerra) i rasant (dreta).

More than a conventional watercolour, The Darcawi Holy Man of Marrakech, by Josep Tapiró (Reus, 1836 – Tangier, 1913) is a water-based painting, very richly worked, that doesn’t leave you indifferent. The circumstances, however, had led it to a such a deficient state of conservation that the aesthetic potential and technical quality had become lifeless….

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Author: Carme Ramells

Joan Colom, Photography made Narrative

Exposició Joan Colom

On 6 February 2012, just one month after beginning a new period as Director of the Museu Nacional d’Art de Catalunya, I had my first meeting with Joan Colom. In July of that same year, his complete archives entered the museum as a donation by the artist and, just one and a half years later,…

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Author: Pepe Serra

Prodigies in the collection

LLUÍS DALMAU, Mare de Déu dels Consellers, 1443-1445 (MNAC 15938). Detall.LLUÍS DALMAU, Mare de Déu dels Consellers, 1443-1445 (MNAC 15938). Detall.

Faced with illnesses, spells, and many other dangers that threatened their survival, the men and women from the middle ages often placed their hopes for healing or protection in the power, so they believed, that emanated from certain objects. Walking through the Gothic art collection of the museum, which has a major thematic wealth, we…

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Author: Cèsar Favà