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  • Authors

    • Adela Laborda
      • An important episode in the history of graphic humour in Catalonia: the Agell Collection in the Museu Nacional d’Art de Catalunya / 2
      • An important episode in the history of graphic humour in Catalonia: the Agell Collection in the Museu Nacional d’Art de Catalunya / 1
      • Concerning “Fabrica de salchichon de Vich Juan Torra” (1896), by Alexandre de Riquer
      • Bookplates of Museu Nacional d’Art de Catalunya
    • Albert Estrada-Rius
      • Francesc Paradaltas i Pintó: the Recovery of a Forgotten Biography
      • Small banknotes for Greater Berlin (1921-2021)
      • Barcelona, a manufacturing centre of weighing scales / 2
      • Barcelona, a manufacturing centre of weighing scales / 1
      • The secrets of the third side of the coin
    • Àlex Mitrani
      • Intrusive dialogues: placing art at the centre of our times
      • Liberxina: The Impetus and Impact of Rebellion
    • Àlex Masalles
      • Eusebi Arnau’s sculpture of Barcelona recovers all its force
      • Recovering The Violinist/1
      • The Violinist by Pablo Gargallo: a question of incompatibility
      • The restoration of three previously unpublished plaster sculptures by Ismael Smith
    • Alícia Cornet
      • The tombstone of the tertiaries Geralda and Maria
      • The Ukiyo-e of the Museu Nacional
      • Post-mortem photographic portraits in the nineteenth century
      • The museum’s collection of photographic portraits of artists
    • Ana Ponce
      • The museum is on the move!
    • ANDARTE
      • Preparation of the Tactile Model of the building of the Museu Nacional d’Art de Catalunya
    • Àngels Comella
      • Jacopo Amigoni and the replicas of the «Portrait of the Marquis of La Ensenada»
      • The Process of Conservation-Restoration of Saint Lliberada (Wilgefortis) by Andreu Sala
      • We recover a Romanesque Virgin
      • How the citizens of the period saw the Frontal of Sant Pere de Boí?
    • Anna Calvet
      • Program to improve the emotional state of professionals: Recuper’art
    • Anna Carreras
      • The process of restoring the Christ and cross from Capdella/2
      • Christ of Capdella, paradigm of reuse/1
      • Tokyo: The last Station
      • A romantic courier trip: two Renaissance portraits meet up again
    • Antonio Ortega
      • Anything is a lightning conductor but lightning
    • Balma Badal
      • ‘This Saint George’s Day, the Amics are giving books as presents at the Museum Library!’
      • #GivingTuesday: The Friends of the Museu Nacional join the global movement
      • Observing items of furniture from Gothic domestic interiors
      • The Friends want “Font de la vida” by Aurèlia Muñoz to remain in the Museu Nacional d’Art de Catalunya
    • Benoit de Tapol
      • Improving the use and the management of the collections in storage
    • Berta Blasi
      • Paper patients: thirteen modernist posters and a drawing
    • Carme Ramells
      • The how and why of the restoration of a watercolour by Tapiró
    • Cèsar Favà
      • The panels of Christ the Redeemer by Bermejo, a predella for the altarpiece of Santo Domingo de Silos (Daroca)
      • A Gothic panel by Lluís Dalmau, a new addition to the museum’s collection
      • “Adversus iudaeos” in paintings in the Gothic art collection
      • A new attribution to Joan Mates, a painter of Catalan Gothic
      • Prodigies in the collection
    • Conxa Rodà
      • The Collaborative DNA of Museums
      • Digital experiences to connect with museum visitors
      • Museums and the web 2019: a recap
      • Museums today and tomorrow: open is the way
      • 9 notes about innovation and change (in less than 140 characters)
    • Cristina Riera
      • Solidarity with Ukraine
      • SOLIDARITY CAMPAIGNS IN TIMES OF COVID-19
      • Adapting ourselves to the new reality: remote work
      • EASY-TO-READ: A MUSEUM FOR EVERYBODY
      • A museum committed to solidarity
    • Eduard Vallès
      • Lina Ódena, the legend of the militiawoman who committed suicide, and the mayor of el prat
      • The 130th anniversary of Torres-Garcia’s arrival in Barcelona (1892-2022): Torres-Garcia in the Museu Nacional‘s collections/2
      • The 130th anniversary of Torres-Garcia’s arrival in Barcelona (1892-2022): Torres-Garcia in the Museu Nacional’s collections/1
      • Picasso’s “poster”: festivities of La Mercè, Barcelona 1902
      • Isidre Nonell & Josep Pla: the luminous herrings
    • Elena Llorens
      • The Collection of works of the Civil War of the Museu Nacional: history and memory
      • What you need to know about ‘Els dolços indrets de Catalunya’ (Attractive Places in Catalonia), by Pere Torné Esquius
    • Èlia Llach
      • Unidentifiable Sketch. A contemporary drawing project in the Espai educArt with the excuse of Fortuny
    • Elisabet Pueyo
      • A personal invitation from Gala Dalí
      • The Museum is yours: a programme open to collectives
      • Apropa Cultura (Getting Closer to Culture): inclusive museum, united museum
      • Articket new website: collaborative spirit applying science
      • Tourism and Museum: a dialogue among professionals
    • Emma Vandellós
      • Listening to the visitors. Focus Groups in the Museu Nacional
    • Esteve Riambau
      • The Filmoteca and the Museum: involvements
    • Esther Fuertes
      • Connected: let’s creat a project
      • Let’s explore the past, talking about the present: Educational programme 2021-2022
      • Visual Thinking Strategies (VTS) a necessary educational methodology
      • Working for change: the laboratory of education
      • Three years of Tàndem: the school and the museum, partners in education
    • Z_Estudiants en pràctiques de Postgraus i Màsters
      • The elasticity of the work in a museum: the narrative of some practices
      • The Flemish key in the museum’s collection: study of three virgins
      • A history of accessibility: out of sight, out of mind:
      • Reconstructing doors from the past. Entering into the lapidary collection of the Museu Nacional
      • Creating an art gif in the museum
    • Estudiants de 2n Batxillerat A
      • Seeing art from a more inclusive perspective
    • Eugenia Ortiz
      • Neighbourhood diary. Photography in the secondary schools
    • Ferran Pérez
      • The “Green Deal”of the Museu Nacional
      • The Energy-Saving Marathon at the Museu Nacional: small actions that combat energy poverty
    • Francesc Quílez
      • The Heartbeat of Nature. Drawings from the 19th century from the Museu Nacional collection
      • Nature and modern artistic sensibility
      • Public Exhibition of a Picture by Ferrer Miró: Overcoming Elitist Prejudices
      • Nonell, between tradition and modernity: affinities and complicities /2
      • Nonell in context. Beauty from the margins
    • Gemma Reguant
      • Breathing paintings with Gemma Reguant Fosas
    • Z_ Guest blogger
      • Back to school: conflict, structures and stars. The experience of the creator “In Residence” Svantje Busshoff
      • A luxurious 16th-century bride’s chest in the Museu Nacional
      • Bread in the Last Supper of the early Gothic
      • The Master of the Prodigal Son in the storerooms of the Museu Nacional, an old Flemish altarpiece
      • Visiting the Museu Nacional d’Art de Catalunya, for real!
    • Ingrid Vidal
      • Transforming the Gaze to Transform Museographical Discourses: Women Artists in the Museum
    • Jana Soto
      • Toward a new museum library model
      • + Friends + books! How have we managed to acquire new books for the museum Library
      • Bibliographic exchange in the Joaquim Folch i Torres Library
      • Museum libraries: the great unknown
    • Jesús Galdón
      • 1001 postcards from nowhere. Intervention in the exhibition “The endless war. Antoni Campañà”
    • Joan Casellas
      • Rrose Sélavy in the Underwater Pyrenees
    • Joan Duran-Porta
      • The legend of the Grail, a story between literature and art
    • Joan Pey
      • The Museu Nacional is restoring works from the Monastery of Ripoll
    • Joan Yeguas
      • “Good Hope” dressed with the sun
      • A change of identity in a portrait by Claudio Coello from the Cambó Bequest
      • A previously unexhibited series by the painter Cajetan Roos (or Gaetano de Rosa)
      • A three-faced Trinity at the Museu Nacional d’Art de Catalunya
      • A previously unexhibited still-life by Antonio Ponce at the Museu Nacional d’Art de Catalunya
    • Joan Josep Pintado
      • The Security in the Museum
    • Jordi Camps
      • Instances of equivalence between Romanesque painting and sculpture: examples from the Boí Valley
      • Saint Michel de Cuxa: from stones to words
      • Three Romanesque capitals from Sant Miquel de Fluvià identified in the Museu Nacional
    • Jordi Casanovas
      • The Register of Works of Art
      • The scattered patrimony of the Jewish cemetery of Montjuïc
    • Jordi Àngel Carbonell
      • In the footsteps of Josep Tapiró
    • Josep Maria Planas
      • The Art of Speaking: a new approach to language learning through art
    • Josep M. Carreté
      • Thoughts on management: theory and practice in the Museu Nacional d’Art de Catalunya /2
      • Thoughts on management: theory and practice in the Museu Nacional d’Art de Catalunya /1
    • Josep-Miquel Faura
      • The Social Responsibility project of the Museum
      • Museum visitors: it’s all about relationships
    • Juan José Lahuerta
      • The renewal of the collection: new formats, new narrative
    • Júlia Llull
      • Women in art. From the invented figure to their own bodies
    • Juliette Raussin
      • The Museum as Theatre. A look at the museographical work of the Museu Nacional
    • Laia Pérez
      • The Watercolour World, a stroll around the world before photography
    • Lluís Alabern
      • Peccata Mundi, the ceremony-performance by Miralda
      • Towards an unfinished museography
      • Comics and the museum: an unresolved story
      • The tao of handling works of art
    • M. Lluïsa Faxedas
      • Pastoral, by Celso Lagar
    • Magda Juandó
      • Photography was no exception. Photographers in the collection of the Museu Nacional d’Art de Catalunya
    • Manel Garcia
      • Towards Modernity: the Fine Art Exhibitions in Barcelona
    • Mariàngels Fondevila
      • Ricard Opisso: bittersweet memories and anecdotes of Gaudí
      • Welcome, modern times!
      • Gaspar Homar, amateur photographer
      • The Disembarkation of England: William Morris
      • The Gosé Glossary
    • Manuel Vallejo
      • The shooting of “The Great White Hope”: A boxing match in the large Sala Oval of the building of the Museu Nacional
    • Maria Clua
      • Ways of payment in times of crisis, some reflections
      • A numismatist? What’s a numismatist?/2
      • A numismatist? What’s a numismatist?
    • Marta Mérida
      • Photographers of museums, photographers and artists working in the shade?
    • Martí Casas
      • “Artwork of the Week” celebrates its 100th post!
      • Christmas scenes at the Museu Nacional
      • Examining the Jewish evidence in the Museu Nacional with Manuel Forcano
      • The Parisian Melancholy of Ramon Casas
      • Imported Art in Renaissance Catalonia
    • Maurici Dueñas
      • The rain as a “prescriptive way” for the museums
    • Mercè Saura
      • The collection of drawings by Apel·les Mestres: a collection to discover
    • Milena Pi
      • The history, legend and representations of Saint Eulàlia in the collections of the Museu Nacional d’Art de Catalunya
      • Liberxina. Coordinating an exhibition
    • Mireia Berenguer
      • The faces of the museum’s history
      • History of a symbol: the searchlights of the Palau Nacional
      • The persistence of a millionairess for the “Virgin of Sallent de Sanaüja”
    • Mireia Campuzano
      • Conservation and restoration in wartime
      • We unearth the figure of a sentry in the painting “White Desert” by Antoni Fabrés
      • Beneath the colour: the underlying drawings of Bartolomé Bermejo
      • What we discover about Ramon Casas with infrared reflectography
    • Mireia Capdevila
      • From Catalonia to Ukraine. From 1936 to 2022. Wars and heritage
    • Mireia Mestre
      • Gold and Gilding in Medieval Art
      • How we restored the Romanesque woodcarving of Saint John the Evangelist
      • Paintings in the cathedrals of Europe, congress in Pisa
    • Mónica Baró
      • Let the storage rooms speak!
    • Montse Badia
      • Museums and res publica. From the Crowded Museums performance by Raquel Friera
      • Cobalt
    • Montse Frisach
      • Active archives, dynamic archives, artistic archives
    • Montse Gumà
      • Saints Michael, Gabriel and Raphael: a legendary iconography /2
      • Not all angels are the same: art shows us this /1
      • Lluïsa Vidal, a woman artist in a world of men
      • The Palau Nacional, a building with a long history /2
      • The Palau Nacional, a building steeped in history / 1
    • Museu Nacional d'Art de Catalunya
      • The Miralles altarpiece is exhibited in the first Antoine de Lonhy retrospective
    • Neus Conte
      • Documentation in the Museu Nacional: a grey task? /2
      • Documentation in the Museu Nacional: a grey task?
    • Norma Vélez
      • What can we do in the museum (other than exhibitions)?
      • Stories in the museums for rebel children
    • Núria Oriols
      • Carracci’s frescoes under the microscope
      • The periodic table through the rooms of the museum II
      • The periodic table through the rooms of the museum I
      • The mural painting transfer kitchen
      • Taking a close look at the Christ of Sant Climent de Taüll
    • Núria Prat
      • Calaf Market: the restoration of an unusual work
      • From the storeroom to the display cabinet: the recovery of the Altarpiece-tabernacle of Saint Nicholas /2
      • From the storeroom to the display cabinet: the recovery of the Altarpiece-tabernacle of Saint Nicholas /1
      • The magnificence of the “fashion” and the brightness of the colours of Gothic II
      • The magnificence of the “fashion” and the brightness of the colours of the Gothic I
    • Núria Perales
      • Deconstruction of the Modern Art campaign
    • Paz Marquès
      • The fresco paintings by Annibale Carracci and his assistants, conserved in the Museu Nacional: removal, transferral and shipping from Rome to Barcelona
      • An extraordinary bestiary: San Pedro de Arlanza. «Griffin» and «Pardus and architecture» / 2
      • An extraordinary bestiary: San Pedro de Arlanza. «Griffin» and «Pardus and architecture» / 1
      • A group of Apostles out of place. Mural paintings from Sant Pere del Burgal /2
      • A group of Apostles out of place. Mural Paintings from Sant Pere del Burgal / 1
    • Pepe Serra
      • Marianne Breslauer’s photographs from the trip through our country in 1933
      • Joan Colom, Photography made Narrative
      • The challenges for today’s museums
    • Raúl Gimeno
      • «Salomé» by Oscar Wilde: a tour of the Collection of the Joaquim Folch i Torres Library
      • An Useful Photograph by Oriol Maspons. The School of Barcelona
    • Redacció museu
      • Sound itinerary for the exhibition “Turner. Light is colour”
      • Spring postcards in the collections of the Museu Nacional
      • Documenting Gaudí, an exciting task
      • 2021 at the Museu Nacional
      • Winter postcards in the collections of the Museu Nacional
    • Reme Barbero
      • Some of the archives of the Museu Nacional d’Art de Catalunya, in the “Pneumothorax”
    • Ricard Bru
      • Joan Gardy Artigas, a silent link between Hamada Shōji and Llorens Artigas
    • Ro Caminal
      • Oriental fantasies of yesterday and today. Reviewing history should also include reviewing its visual legacy
    • Roser Cambray
      • The photography collection is growing: the new photo repository of Antoni Campañà i Bandranas
    • Ruth Bagan
      • Preventive conservation: where are we?
    • Sandra Figueras
      • Artists Living and Creating at Home: Days of Confinement
      • A night at the museum/2_ what the students say
      • A Night at the Museum
      • Street Art enters the Intitute and the Museum
      • What’s an artist like you doing in a school like this?
    • Sandra Herrera
      • Calendars of the Nippon Exlibris Association
      • The imprint of women artists in post-war Barcelona. The creation process of a documentary exhibition
    • Sílvia Redondo
      • Transforming the gaze: the visibility of women artists
      • 2nd Conference on Open Science and Scientific Communication
    • Sílvia Tena
      • The registrar in collection management: Risk management / 2
      • The registrar in collections management: an emerging profession / 1
    • Sílvia Lanceta
      • Maria Sampere, eyes that always look at you
    • Teresa González
      • Five ways to wellbeing. A graphic chrincle from two months together
      • Pandemic, museums and the elderly
      • The management of accessibility and inclusion, a shared responsibility
      • The museum, multi-disciplinary incubator: a setting for discovering my profession
      • Museums and accessibility: a community of practice
    • Valeria Mamczynski
      • Restoring the colour of the light: stained glass windows in the Museu Nacional d’Art de Catalunya /2
      • Restoring the colour of the light: stained glass windows in the Museu Nacional d’Art de Catalunya /1
    • Vicenç Martí
      • By courier for the exhibition Gaudí. Barcelona 1900 to Brazil
    • Xavier Abelló
      • A museum more ecological and more economic: new installations in Modern Art
    • Dr. Xavier Sierra i Valentí
      • The altarpiece of Saint Anthony the Abbot, ergotism and the antonians
      • “Three Beggars” by Giacomo Ceruti under the scrutiny of a dermatologist
    • Yolanda Ruiz
      • The “Hotel Colón”. The story behind a snapshot by Antoni Campañà
      • The donation by Lluís Masriera in 1932 to the Library of the Museums
      • The role of Salvador Sanpere i Miquel in the origin of the Library of the Museu Nacional d’Art de Catalunya
      • The “cartes de visite” in the Museum Library
      • Illustrated Books from Alexandre de Riquer’s Private Library/2
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  • About

    The blog of the Museu Nacional d’Art de Catalunya is published on Thursdays. Each week we’ll discuss experiences, present behind the scenes, share processes and knowledge about our art collection. Plurality of authors from the museum’s team will ensure we offer a diversity of topics and perspectives. We’ll appreciate your comments!
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