{"id":26943,"date":"2021-03-25T13:02:07","date_gmt":"2021-03-25T13:02:07","guid":{"rendered":"https:\/\/blog.museunacional.cat\/?p=26943"},"modified":"2021-04-29T13:12:36","modified_gmt":"2021-04-29T13:12:36","slug":"the-2021-programme-of-the-museu-nacional","status":"publish","type":"post","link":"https:\/\/blog.museunacional.cat\/en\/the-2021-programme-of-the-museu-nacional\/","title":{"rendered":"The 2021 programme of the Museu Nacional"},"content":{"rendered":"\n<p>The programme of the museum for 2021 is necessarily marked by the pandemic, which continues to affect all the fields of society one way or another, and also the way in which we relate with the people and carry out our activity. As follows, we present the exhibitions <a href=\"https:\/\/www.museunacional.cat\/en\/exhibitions-future\" target=\"_blank\" rel=\"noreferrer noopener\">programme<\/a>&nbsp;of the Museu Nacional d\u2019Art de Catalunya for 2021. Two major themes that emerge from the collection have structured this year\u2019s exhibition programme: the Civil War, art, conflict and memory, and Gaud\u00ed and the idea of the city.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Presentaci\u00f3 de la programaci\u00f3 2021\" width=\"620\" height=\"349\" src=\"https:\/\/www.youtube.com\/embed\/DXvGeL2xbXs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><br \/><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">The Civil War, art, conflict<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/www.museunacional.cat\/en\/endless-war-antoni-campana\" target=\"_blank\" rel=\"noreferrer noopener\">The endless war. Antoni Campa\u00f1\u00e0<\/a><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"606\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Antoni-Campana-Miliciana-en-una-barricada-del-carrer-Hospital-1936-juliol-1936-.jpg\" alt=\"Antoni Campa\u00f1\u00e0, Militiawoman at a barricade on carrer Hospital, 1936, July 1936\" class=\"wp-image-26900\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Antoni-Campana-Miliciana-en-una-barricada-del-carrer-Hospital-1936-juliol-1936-.jpg 600w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Antoni-Campana-Miliciana-en-una-barricada-del-carrer-Hospital-1936-juliol-1936--297x300.jpg 297w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>Antoni Campa\u00f1\u00e0, <em>Militiawoman at a barricade on carrer Hospital<\/em>, 1936, July 1936<\/figcaption><\/figure>\n\n\n\n<p><em>The endless war&nbsp;<\/em>reveals the different facets of the work of the photographer Antoni Campa\u00f1\u00e0&nbsp; (Arb\u00facies, 1906-Sant Cugat del Vall\u00e8s, 1989), and places the focus on the photographs that he took during the Spanish Civil war, which the family fortuitously found in 2018.<\/p>\n\n\n\n<p>Most of the pieces in the exhibition come from the collection of the artist&#8217;s family, which deposited 63 photographs from the pre-war pictorialist period in the museum. Some of these materials are also on display for the first time in the exhibition.<\/p>\n\n\n\n<p>Seen in its entirety, Campa\u00f1\u00e0\u2019s work traces the 20<sup>th<\/sup> century in its complexity and contradictions. The exhibition reveals a tireless artist who tried to reach all corners of the world of photography.<\/p>\n\n\n\n<p>You can see it in the museum until 18<sup>th<\/sup> July.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/www.museunacional.cat\/en\/aeronautics-interior-flight\" target=\"_blank\" rel=\"noreferrer noopener\">Interior flight. An installation by Francesc Torres<\/a><\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"524\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/francesc-torres-vol-interior-mnac.jpg\" alt=\"Francesc Torres davant un avi\u00f3 Katiuska\" class=\"wp-image-26904\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/francesc-torres-vol-interior-mnac.jpg 400w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/francesc-torres-vol-interior-mnac-229x300.jpg 229w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><figcaption>Francesc Torres davant un avi\u00f3 <em>Katiuska<\/em><\/figcaption><\/figure>\n\n\n\n<p><em>Interior flight&nbsp;<\/em>is an installation by the artist Francesc Torres who will bring to the Sala Oval two 1:1 scale planes, replicas of two models of airplanes that took part in the Spanish Civil War.<\/p>\n\n\n\n<p>Francesc Torres takes some coordinates even further that he has explored on other occasions, such as the ambiguity between art and non-art (camouflage paintings, non-artistic objects with an artistic aura, etc.) or the elimination of the dividing line between \u201cexhibition\u201d, \u201cwork\u201d and \u201cinstallation\u201d formats.<\/p>\n\n\n\n<p>It will take place from 1<sup>st<\/sup> June to 30<sup>th<\/sup> September.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Art in danger. Safeguarding the Catalan artistic heritage (1936-1939)<\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"413\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Entrada-de-les-obres-incautades-juliol-1936.-\u00a9-Arxiu-Fotografic-de-Barcelona.-Joan-Vidal-Ventosa.jpg\" alt=\"Entry of the seized works, July 1936. \u00a9 Photographic Archive of Barcelona. Joan Vidal Ventosa\" class=\"wp-image-26907\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Entrada-de-les-obres-incautades-juliol-1936.-\u00a9-Arxiu-Fotografic-de-Barcelona.-Joan-Vidal-Ventosa.jpg 620w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Entrada-de-les-obres-incautades-juliol-1936.-\u00a9-Arxiu-Fotografic-de-Barcelona.-Joan-Vidal-Ventosa-300x200.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><figcaption>Entry of the seized works, July 1936. \u00a9 Photographic Archive of Barcelona. Joan Vidal Ventosa<\/figcaption><\/figure>\n\n\n\n<p>With this exhibition, the museum pays homage to the work of safeguarding and sorting out that the Generalitat de Catalunya undertook, urgently, in the summer of 1936, when the fascist uprising provoked an unprecedented explosion of revolutionary violence that affected the artistic and architectural heritage of the country. People such as Joan Subias, Joan Bardolet or Miquel Joseph i Mayol and, especially, Joaquim Folch i Torres, were leading figures at the time.<\/p>\n\n\n\n<p>The exhibition is foreseen for summer 2021.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"423\" height=\"265\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/guerra-civil-art-conflicte-memoria-mnac-1.jpg\" alt=\"Guerra Civil, art conflicte, mem\u00f2ria\" class=\"wp-image-26913\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/guerra-civil-art-conflicte-memoria-mnac-1.jpg 423w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/guerra-civil-art-conflicte-memoria-mnac-1-300x188.jpg 300w\" sizes=\"auto, (max-width: 423px) 100vw, 423px\" \/><\/figure>\n\n\n\n<p>Based around this axis, the museum is preparing an ambitious programme of activities on art, conflict and memory, from June until the autumn, which you can discover through the website and the social networks.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/www.museunacional.cat\/en\/gaudi\" target=\"_blank\" rel=\"noreferrer noopener\">Gaud\u00ed and the idea of the city<\/a><\/h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"450\" height=\"563\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Vista-exterior-de-lesglesia-de-la-Colonia-Guell-Antoni-Gaudi-cap-a-1908-1910.jpg\" alt=\"Exterior view of the church of Col\u00f2nia G\u00fcell, Antoni Gaud\u00ed, around 1908-1910\" class=\"wp-image-26916\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Vista-exterior-de-lesglesia-de-la-Colonia-Guell-Antoni-Gaudi-cap-a-1908-1910.jpg 450w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Vista-exterior-de-lesglesia-de-la-Colonia-Guell-Antoni-Gaudi-cap-a-1908-1910-240x300.jpg 240w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><figcaption>Exterior view of the church of Col\u00f2nia G\u00fcell, Antoni Gaud\u00ed, around 1908-1910<\/figcaption><\/figure>\n\n\n\n<p>This project is a critical review of the work of the artist and architect, especially present in the collection. This is an exhibition that does not repeat the well-known clich\u00e9s but takes a look at the highly complex Gaud\u00ed who produced his work in a multiple context.<\/p>\n\n\n\n<p>Gaud\u00ed was not the isolated and misunderstood genius that a large part of his bibliography has given us to understand, but his work was developed in a specific artistic and architectural context, local and international, and within the framework of political, ideological and very specific aesthetic strategies.<\/p>\n\n\n\n<p>The exhibition will take place from 30<sup>th<\/sup> September 2021 to 23<sup>rd<\/sup> January 2022.<\/p>\n\n\n\n<p>Based around the idea of the city, the museum will be preparing a programme of activities for the autumn, which we will reveal on the website and social networks.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Other exhibitions<\/h3>\n\n\n\n<p>In addition to the exhibitions and activities based around these two main themes, the museum\u2019s activity also includes two other exhibitions: <em>The colours of fire. Hamada and Artigas<\/em>, and <em>Walls that speak. Modern life advertising. The origins of the artistic poster as a publicity claim<\/em>, and a full programme of work with artists, under the umbrella <em>Artists in the Museum<\/em>.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/www.museunacional.cat\/en\/colours-fire-hamada-artigas\" target=\"_blank\" rel=\"noreferrer noopener\">The colours of fire. Hamada \u2013 Artigas<\/a><\/h4>\n\n\n\n<p>An exhibition that will provide a new approach to the artistic relations between Catalonia and Japan through ceramics based on the presentation of two major potters of the twentieth century: Josep Llorens Artigas (1892-1980) and Hamada Sh\u014dji (1894-1978), Japanese \u201cLiving National Treasure\u201d. You can visit it from 3<sup>rd<\/sup> June to 12<sup>th<\/sup> September, 2021.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"568\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/gerro-hamada-artigas-mnac.jpg\" alt=\"Hamada, shoji, gerro\" class=\"wp-image-26919\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/gerro-hamada-artigas-mnac.jpg 400w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/gerro-hamada-artigas-mnac-211x300.jpg 211w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><figcaption>Hamada, shoji, vase<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Walls that speak. Modern life advertising. The origins of the artistic poster as a publicity claim.<\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"387\" height=\"500\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/May-Belfort-Toulouse-lautrec.jpg\" alt=\"Henri Toulouse-Lautrec, May Belfort, 1895\" class=\"wp-image-26922\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/May-Belfort-Toulouse-lautrec.jpg 387w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/May-Belfort-Toulouse-lautrec-232x300.jpg 232w\" sizes=\"auto, (max-width: 387px) 100vw, 387px\" \/><figcaption>Henri Toulouse-Lautrec, <em><a href=\"https:\/\/www.museunacional.cat\/en\/colleccio\/may-belfort\/henri-de-toulouse-lautrec\/000748-c\" target=\"_blank\" rel=\"noreferrer noopener\">May Belfort<\/a><\/em>, 1895<\/figcaption><\/figure>\n\n\n\n<p>This exhibition is part of the line of exhibitions that have emerged from the collaboration between the Museu Nacional and the <a href=\"https:\/\/fundacionlacaixa.org\/en\/home\" class=\"broken_link\">Fundaci\u00f3 \u201cla Caixa\u201d<\/a> and is an opportunity to discover the origins of the modern artistic poster as an object of art and, at the same time, as a reflection of the artistic, industrial, social and cultural modernity of Europe at the turn of the twentieth century.<\/p>\n\n\n\n<p><br \/>The exhibition, which will be travelling for two years, and after Seville it can be seen in Catalonia, at the CaixaForum centres in Lleida, Tarragona and Girona, which will give visibility to a large number of unpublished productions and has allowed the restoration of some of the posters of the collection.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Artists in the museum<\/h3>\n\n\n\n<p>Work continues with contemporary artists who carry out specific projects in permanent dialogue with the museum, providing new interpretations of the collection.<\/p>\n\n\n\n<p>Apart from Francesc Torres&#8217; major installation in the Sala Oval, this year the artists <a href=\"https:\/\/mabelpalacin.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" class=\"broken_link\">Mabel Palac\u00edn<\/a>, <a href=\"http:\/\/francescallopis.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Francesca Llopis<\/a>, <a href=\"https:\/\/svantjebusshoff.net\/\" target=\"_blank\" rel=\"noreferrer noopener\">Svantje Busshoff<\/a>, <a href=\"http:\/\/www.ginorubert.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Gino Rubert<\/a>, <a href=\"https:\/\/www.fitoconesa.org\/\" target=\"_blank\" rel=\"noreferrer noopener\" class=\"broken_link\">Fito Conesa<\/a>, <a href=\"https:\/\/www.luacoderch.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">L\u00faa Coderch<\/a> or Antonio Ortega will be carrying out interventions or projects in different formats or spaces.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"613\" height=\"460\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/svantje-busshoff-museu-nacional.jpg\" alt=\"Svantje Busshoff, Seixanta-i-un dies. Orangenet, unraveled and recrotcheted, 2020\" class=\"wp-image-26925\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/svantje-busshoff-museu-nacional.jpg 613w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/svantje-busshoff-museu-nacional-300x225.jpg 300w\" sizes=\"auto, (max-width: 613px) 100vw, 613px\" \/><figcaption>Svantje Busshoff, <a href=\"https:\/\/svantjebusshoff.net\/work\/cloth\/cloth-2020\/\" target=\"_blank\" rel=\"noreferrer noopener\" class=\"broken_link\"><em>Seixanta-i-un dies. Orangenet, unraveled and recrotcheted<\/em><\/a>, 2020<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">You can still visit\u2026<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/www.museunacional.cat\/en\/intrusive-dialogues-everything-present\" target=\"_blank\" rel=\"noreferrer noopener\">Intrusive dialogues<\/a><\/h4>\n\n\n\n<p>Until 7<sup>th<\/sup> November, 2021, you can visit this exhibition, which proposes the inclusion in the museum\u2019s rooms of a selection of nineteen works from the <strong>Fundaci\u00f3 Su\u00f1ol<\/strong> belonging to the second avant-garde. These works will enter into <strong>dialogue, by way of analogy or contrast, with historical works of medieval, renaissance, baroque, modernist art, etc.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"398\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Dialegs-intrusos-mnac-1.jpg\" alt=\"Intrusive Dialogues. Everything is the present\" class=\"wp-image-26928\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Dialegs-intrusos-mnac-1.jpg 620w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Dialegs-intrusos-mnac-1-300x193.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><figcaption><em>Intrusive Dialogues. Everything is the present<\/em><\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/www.museunacional.cat\/en\/knotting-space-aurelia-munoz-donation\" target=\"_blank\" rel=\"noreferrer noopener\">Knotting the Space. Aur\u00e8lia Mu\u00f1oz Donation<\/a><\/h4>\n\n\n\n<p>The Museu Nacional has incorporated in its collection an outstanding set of works by Aur\u00e8lia Mu\u00f1oz (Barcelona, 1926-2011) that allow us to grasp the diversity and originality of her techniques and the coherence and intensity of her poetry. &nbsp;You can visit this intervention in the modern art rooms until 18<sup>th<\/sup> April.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"440\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Aurelia-Munoz-Ens-social-1976.jpg\" alt=\"Aur\u00e8lia Mu\u00f1oz, Social entity, 1976\" class=\"wp-image-26931\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Aurelia-Munoz-Ens-social-1976.jpg 600w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Aurelia-Munoz-Ens-social-1976-300x220.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>Aur\u00e8lia Mu\u00f1oz, <em>Social entity<\/em>, 1976<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/www.museunacional.cat\/en\/son-imprints-and-figurations-valls-daneu-intervention-oriol-vilapuig\" target=\"_blank\" rel=\"noreferrer noopener\">Son. Imprints and figurations in Valls d\u2019\u00c0neu. &nbsp;An intervention by Oriol Vilapuig<\/a><\/h4>\n\n\n\n<p>The artist Oriol Vilapuig, from contemporaneity, gives a renewed visibility to some imageries of the 11<sup>th<\/sup> and 12<sup>th<\/sup> centuries in this intervention that you can see until 5<sup>th<\/sup> April.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/oriol-vilapuig-mnac.jpg\" alt=\"Son, an intervention by Oriol Vilapuig\" class=\"wp-image-26934\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/oriol-vilapuig-mnac.jpg 600w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/oriol-vilapuig-mnac-300x200.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption>Son, an intervention by Oriol Vilapuig<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The programme of the museum for 2021 is necessarily marked by the pandemic, which continues to affect all the fields of society one way or another, and also the way in which we relate with the people and carry out our activity. As follows, we present the exhibitions programme&nbsp;of the Museu Nacional d\u2019Art de Catalunya&#8230;<\/p>\n","protected":false},"author":21,"featured_media":26980,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[18,2],"tags":[459],"class_list":["post-26943","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions","category-general-en","tag-exhibitions-en","author-redacciomuseu"],"jetpack_featured_media_url":"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/exposicions-2021-museu-nacional-barcelona.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4tWCI-70z","_links":{"self":[{"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/posts\/26943","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/comments?post=26943"}],"version-history":[{"count":15,"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/posts\/26943\/revisions"}],"predecessor-version":[{"id":27348,"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/posts\/26943\/revisions\/27348"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/media\/26980"}],"wp:attachment":[{"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/media?parent=26943"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/categories?post=26943"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/tags?post=26943"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}