
{"id":18665,"date":"2020-02-13T13:42:41","date_gmt":"2020-02-13T13:44:13","guid":{"rendered":"https:\/\/blog.museunacional.cat\/?p=18665"},"modified":"2020-02-18T08:40:12","modified_gmt":"2020-02-18T08:40:12","slug":"the-history-legend-and-representations-of-saint-eulalia-in-the-collections-of-the-museu-nacional-dart-de-catalunya","status":"publish","type":"post","link":"https:\/\/blog.museunacional.cat\/en\/the-history-legend-and-representations-of-saint-eulalia-in-the-collections-of-the-museu-nacional-dart-de-catalunya\/","title":{"rendered":"The history, legend and representations of Saint Eul\u00e0lia in the collections of the Museu Nacional d\u2019Art de Catalunya"},"content":{"rendered":"\n<p class=\"has-small-font-size\">Milena Pi<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.museunacional.cat\/sites\/default\/files\/015938-000_petita.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"381\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Eul\u00e0lia-portada.jpg\" alt=\"Santa Eul\u00e0lia cap\u00e7alera\" class=\"wp-image-18598\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Eul\u00e0lia-portada.jpg 620w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Eul\u00e0lia-portada-300x184.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption>Detail of Saint Eul\u00e0lia, <em><a href=\"https:\/\/www.museunacional.cat\/en\/colleccio\/virgin-consellers\/lluis-dalmau\/015938-000\">The Virgin of the \u201cConsellers\u201d<\/a><\/em>, Llu\u00eds Dalmau, 1443-1445<\/figcaption><\/figure>\n\n\n\n<p>Historical and legendary events are interwoven\nin the figure of Saint Eul\u00e0lia, whose saint\u2019s day we are celebrating this week.\nWe thought this would be a good opportunity to take a closer look at the\nhistorical sources, the origins of her cult, and the symbolism that this relic has\nfor Barcelona and the later institutional development of the Catalan Counties.\nSaint Eul\u00e0lia, martyr and benefactor, is also present in the collections of the\nMuseu Nacional d\u2019Art de Catalunya. The article ends with a small selection of\nworks and a review of the iconography.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">The search for relics<\/h3>\n\n\n\n<p>In the late ninth century, Bishop <a href=\"https:\/\/ca.wikipedia.org\/wiki\/Frodo%C3%AD\">Frodoinus<\/a> of Barcelona proposed\nto search for the relics of Saint Eul\u00e0lia, who had died on the cross five centuries\nearlier. Barcelona was then in the archdiocese of Narbonne and Archbishop Sigebod\nwas looking for them so that he could have a new church built there, dedicated\nto her.<\/p>\n\n\n\n<p>As was usual in those days, following the directions of prior rituals, prayers and fasting, Bishop Frodoinus and his clerics  \u00abmiraculously\u00bb  found her remains buried near a church dedicated to Saint Mary. <strong>This church must have been the present-day Santa Maria del Mar<\/strong> (previously <a href=\"http:\/\/www.santamariadelmarbarcelona.org\/history\/\">Santa Maria de les Arenes<\/a>) as it was a Roman tradition to bury the dead along the sides of the roads leading out of the city, namely, outside the walls.<\/p>\n\n\n\n<p>But why was this search undertaken? Frodoinus\nhad been appointed bishop by the Frankish king <a href=\"https:\/\/en.wikipedia.org\/wiki\/Charles_the_Bald\">Charles the Bald<\/a>, from\nwhom he had also received a large piece of land on the eastern slopes of Montseny\nand the complex commission of managing the administrative organization of the\nCatalan Counties, particularly those of Barcelona and Girona. &nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Comtats_de_la_Marca_Hisp\u00e0nica_a_inicis_S_IX-1.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Comtats_de_la_Marca_Hisp\u00e0nica_a_inicis_S_IX-1.jpg\" alt=\"Marca Hisp\u00e0nica\" class=\"wp-image-18669\" width=\"369\" height=\"288\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Comtats_de_la_Marca_Hisp\u00e0nica_a_inicis_S_IX-1.jpg 620w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Comtats_de_la_Marca_Hisp\u00e0nica_a_inicis_S_IX-1-300x235.jpg 300w\" sizes=\"auto, (max-width: 369px) 100vw, 369px\" \/><\/a><figcaption><a href=\"https:\/\/en.wikipedia.org\/wiki\/Marca_Hispanica\">Catalan counties and other territories at the beginning of the 9th century<\/a><\/figcaption><\/figure>\n\n\n\n<p><strong>The political and religious moment was a delicate one, the kingdom of the Franks was defending the Hispanic March from the threat of the Muslims, and part of the pre-eminent orders of local society, who were suspicious, remained loyal to Hispano-Gothic ideas and liturgy<\/strong>. The Visigothic clergy, however, had taken the treasures and the relics and did not want to become part of the new ecclesiastical authority of the Carolingian empire. To strengthen Frankish authority and control in the region, King Charles the Bald endowed the bishoprics with riches, as they were the most representative political and administrative structure in a territory lacking efficient county government. <\/p>\n\n\n\n<p>Charles the Bald died, however, in 877, and that same year Wilfred, count of Cerdanya and Urgell, was appointed as count of Barcelona and Girona. <strong>For the first time the counties were not administered by a Frankish functionary, and a line of native governors thus began<\/strong>. Barcelona, Girona, Urgell, and shortly afterwards Vic, would be ruled by Count <a href=\"https:\/\/en.wikipedia.org\/wiki\/Wilfred_the_Hairy\">Wilfred the Hairy<\/a> (Guifr\u00e9 el Pel\u00f3s).<\/p>\n\n\n\n<p>To give this new project legitimacy it was necessary to merge native tradition with the Frankish legacy, the Church and the liturgy of Rome. Frodoinus found himself needing to spread his ecclesiastic, political and personal prestige, and that brings to the beginning of this story: <strong>the  \u00a0\u00abdiscovery\u00bb (or\u00a0\u00abinvention\u00bb) of the body of a local saint, already venerated by the Visigothic Church and who implied a continuation of worship, while at the same time it strengthened the ties with the Church of Rome \u2013<\/strong> a union of the past and the present.<\/p>\n\n\n\n<p>After <a href=\"https:\/\/www.enciclopedia.cat\/ec-gec-0062660.xml\">Sigebod<\/a> gave up his\nsearch and returned to Narbonne empty-handed, Frodoinus explored the area near\nSanta Maria del Mar. When the relic was found, it was translated in a solemn\nprocession to the cathedral in Barcelona. The body was laid in a marble tomb\nand placed below the cathedral altar. If the saint had been found by someone\nwith the metropolitan prestige of Frodoinus and remained in the city of her\nbirth, her cult would extol the ecclesiastical order inherited from the Franks,\nand it would consolidate the new institutional system with its capital Barcelona.<\/p>\n\n\n\n<p>As Joan-F Cabestany i Fort says, <strong>\u00abWe must link the \u2018invention\u2019 of the body of Saint Eul\u00e0lia to a series of events that originated at that time and which structured the rule of Count Wilfred I and his immediate successors until the middle of the tenth century.\u00bb<\/strong> <\/p>\n\n\n\n<p>Well, that\u2019s the history, now for the\nlegend.<\/p>\n\n\n\n<div class=\"wp-block-jetpack-tiled-gallery aligncenter is-style-rectangular\"><div class=\"tiled-gallery__gallery\"><div class=\"tiled-gallery__row\"><div class=\"tiled-gallery__col\"><figure class=\"tiled-gallery__item\"><a href=\"https:\/\/i0.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/mac-sarcofagdesantaeulaia2-1.jpg?ssl=1\"><img decoding=\"async\" srcset=\"https:\/\/i0.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/mac-sarcofagdesantaeulaia2-1.jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i0.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/mac-sarcofagdesantaeulaia2-1.jpg?strip=info&#038;w=900&#038;ssl=1 900w,https:\/\/i0.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/mac-sarcofagdesantaeulaia2-1.jpg?strip=info&#038;w=1200&#038;ssl=1 1200w,https:\/\/i0.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/mac-sarcofagdesantaeulaia2-1.jpg?strip=info&#038;w=1500&#038;ssl=1 1500w,https:\/\/i0.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/mac-sarcofagdesantaeulaia2-1.jpg?strip=info&#038;w=1600&#038;ssl=1 1600w\" alt=\"\" data-height=\"1200\" data-id=\"18674\" data-link=\"https:\/\/blog.museunacional.cat\/?attachment_id=18674\" data-url=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/mac-sarcofagdesantaeulaia2-1.jpg\" data-width=\"1600\" src=\"https:\/\/i0.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/mac-sarcofagdesantaeulaia2-1.jpg?ssl=1\"\/><\/a><\/figure><\/div><div class=\"tiled-gallery__col\"><figure class=\"tiled-gallery__item\"><a href=\"https:\/\/i2.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/1280px-Barcelona_Cathedral_Interior_-_Ark_of_Santa_Eulalia-1.jpg?ssl=1\"><img decoding=\"async\" srcset=\"https:\/\/i2.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/1280px-Barcelona_Cathedral_Interior_-_Ark_of_Santa_Eulalia-1.jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i2.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/1280px-Barcelona_Cathedral_Interior_-_Ark_of_Santa_Eulalia-1.jpg?strip=info&#038;w=900&#038;ssl=1 900w,https:\/\/i2.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/1280px-Barcelona_Cathedral_Interior_-_Ark_of_Santa_Eulalia-1.jpg?strip=info&#038;w=1200&#038;ssl=1 1200w,https:\/\/i2.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/1280px-Barcelona_Cathedral_Interior_-_Ark_of_Santa_Eulalia-1.jpg?strip=info&#038;w=1280&#038;ssl=1 1280w\" alt=\"\" data-height=\"853\" data-id=\"18675\" data-link=\"https:\/\/blog.museunacional.cat\/?attachment_id=18675\" data-url=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/1280px-Barcelona_Cathedral_Interior_-_Ark_of_Santa_Eulalia-1.jpg\" data-width=\"1280\" src=\"https:\/\/i2.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/1280px-Barcelona_Cathedral_Interior_-_Ark_of_Santa_Eulalia-1.jpg?ssl=1\"\/><\/a><\/figure><\/div><\/div><\/div><\/div>\n\n\n\n<ul class=\"wp-block-list\"><li><em><a href=\"http:\/\/www.macbarcelona.cat\/Col-leccions\/Objectes-de-la-col-leccio\/Medieval-i-moderna\/Col-leccio-visigots\/Objectes-singulars\/Sarcofag-dit-de-Santa-Eulalia\">Sarcophagus said to be of Saint Eul\u00e0lia<\/a><\/em>, late 3<sup>rd<\/sup> century \u2013 early 4<sup>th<\/sup> century, Museu d\u2019Arqueologia de Catalunya. Image taken from the blog <a href=\"https:\/\/guiatacata.wordpress.com\/2012\/02\/10\/santa-eulalia-la-antigua-patrona-de-barcelona\/\">Tacata. Cultural services<\/a>.<\/li><li> Lupo di Francesco, <em><a href=\"https:\/\/catedralbcn.org\/index.php?option=com_content&amp;view=article&amp;id=31&amp;Itemid=84&amp;lang=en\">Sepulchre of Saint Eul\u00e0lia of Barcelona<\/a><\/em>, <em>c.<\/em> 1327, Cathedral of the Holy Cross and Santa Eul\u00e0lia in Barcelona. <\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">The legend of Saint Eul\u00e0lia<\/h3>\n\n\n\n<p>The name Eul\u00e0lia was originally Greek and it literally means <strong>\u00abwell-spoken\u00bb<\/strong>,  <strong>\u00abeloquent\u00bb<\/strong>. She is traditionally believed to have lived in the late third century and she died at the beginning of the fourth. She was probably born on the plain of <em>Barcin<\/em>o, in the <em><strong>desert de Sarri\u00e0<\/strong><\/em>, next to a cypress grove transformed into palm trees by a miracle. She was the daughter of a well-off Christian family, and she is described as a wise, prudent and virtuous girl. <\/p>\n\n\n\n<p>At the age of 12 or 13, in the reign of the\nRoman emperor Diocletian (<em>c.<\/em> 244 \u2013 311), an\nedict was passed that condemned to death all the Christians who refused to\noffer sacrifices to the idols. In <em>Barcino<\/em>,\nthe implacable governor Publius Datianus was given the task of carrying it\nout. Eul\u00e0lia secretly escaped from her home to stand before him in solidarity\nwith the persecuted Christian community.<\/p>\n\n\n\n<p>Datianus threw her into the prison in his palace, which according to legend was in the narrow alleyway <strong>Volta de Santa Eul\u00e0lia<\/strong>. Legend also has it that the sun, ashamed, has never shone inside it again and it is only illuminated on her saint\u2019s day. Eul\u00e0lia was required to abandon the faith and, when she refused, she was condemned to suffer thirteen martyrdoms, one for each year of her life. <\/p>\n\n\n\n<p>Place-names in Barcelona and a host of\nartistic representations in the city\u2019s public places still refer to the saint, her\ntorments and the beneficent power that is ascribed to her. From the hilltop\nwhere today we find Baixada de Santa Eul\u00e0lia, she was rolled down the slope\ninside a barrel full of shards of glass and nails. The 13 white geese in the\ncathedral cloister allude to the ones she looked after. <\/p>\n\n\n\n<p><strong>Pla de la Boqueria<\/strong> and <strong>Pla\u00e7a del Pedr\u00f3<\/strong> both claim the place where Saint Eul\u00e0lia was crucified on an X-shaped cross. Legend has it that in order to hide the girl\u2019s nakedness her hair grew long to cover it. Other versions state that it was the snow that began falling. At the moment she expired, her pure soul came out of her mouth in the form of a white dove.<\/p>\n\n\n\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Eulalia_of_Barcelona\"><strong>Saint Eul\u00e0lia<\/strong><\/a><strong> is the joint patron saint of the city of Barcelona and her feast day is 12 February<\/strong>. Ever since 25 September 1687, and by agreement of the Council of the Hundred, the city\u2019s patron saint has been the Virgin of Mercy (La Merc\u00e8).<\/p>\n\n\n\n<ul class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/MEpiscopalVIc-Martorell-Eul\u00e0lia-flagel-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"621\" height=\"600\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/MEpiscopalVIc-Martorell-Eul\u00e0lia-flagel-1.jpg\" alt=\"\" data-id=\"18677\" data-link=\"https:\/\/blog.museunacional.cat\/?attachment_id=18677\" class=\"wp-image-18677\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/MEpiscopalVIc-Martorell-Eul\u00e0lia-flagel-1.jpg 621w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/MEpiscopalVIc-Martorell-Eul\u00e0lia-flagel-1-300x290.jpg 300w\" sizes=\"auto, (max-width: 621px) 100vw, 621px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/MEpiscopalVIc-Martorell-Eul\u00e0lia-neu-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"622\" height=\"600\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/MEpiscopalVIc-Martorell-Eul\u00e0lia-neu-1.jpg\" alt=\"\" data-id=\"18678\" data-link=\"https:\/\/blog.museunacional.cat\/?attachment_id=18678\" class=\"wp-image-18678\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/MEpiscopalVIc-Martorell-Eul\u00e0lia-neu-1.jpg 622w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/MEpiscopalVIc-Martorell-Eul\u00e0lia-neu-1-300x289.jpg 300w\" sizes=\"auto, (max-width: 622px) 100vw, 622px\" \/><\/a><\/figure><\/li><\/ul>\n\n\n\n<p class=\"has-small-font-size\">Bernat Martorell, <em><a href=\"https:\/\/www.museuepiscopalvic.com\/en\/colleccions\/gothic\/compartments-from-an-altarpiece-mev-10739-10738-10740\">Flagellation\nand Crucifixion of Saint Eul\u00e0lia<\/a><\/em>.\nFrom the Altarpiece of Saint Eul\u00e0lia and Saint John, 1427-1437, Museu Episcopal\nde Vic.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">The representations of Saint Eul\u00e0lia in the Museu Nacional d\u2019Art de Catalunya<\/h3>\n\n\n\n<p><strong>The attributes of Saint Eul\u00e0lia are the X-shaped cross and the palm leaf that identifies her as a martyr<\/strong>. She is also shown as a young girl, richly dressed in a tunic and cloak.<\/p>\n\n\n\n<p>At the Museu Nacional d\u2019Art de Catalunya you\nwill find a series of works in different styles and from different periods that\nwill serve as a guide to explain the iconography of Saint Eul\u00e0lia, and to mark\nher celebration we invite you to get to know them. Here we have chosen a few of\nthem:<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Saint Eul\u00e0lia in the Romanesque art collections<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-jetpack-tiled-gallery aligncenter is-style-rectangular\"><div class=\"tiled-gallery__gallery\"><div class=\"tiled-gallery__row\"><div class=\"tiled-gallery__col\"><figure class=\"tiled-gallery__item\"><a href=\"https:\/\/i1.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/Rom\u00e0nic-Estaon-1.jpg?ssl=1\"><img decoding=\"async\" srcset=\"https:\/\/i1.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/Rom\u00e0nic-Estaon-1.jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i1.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/Rom\u00e0nic-Estaon-1.jpg?strip=info&#038;w=620&#038;ssl=1 620w\" alt=\"\" data-height=\"619\" data-id=\"18681\" data-link=\"https:\/\/blog.museunacional.cat\/?attachment_id=18681\" data-url=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Rom\u00e0nic-Estaon-1.jpg\" data-width=\"620\" src=\"https:\/\/i1.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/Rom\u00e0nic-Estaon-1.jpg?ssl=1\"\/><\/a><\/figure><\/div><div class=\"tiled-gallery__col\"><figure class=\"tiled-gallery__item\"><a href=\"https:\/\/i2.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/Rom\u00e0nic-Estaon-absis-1.jpg?ssl=1\"><img decoding=\"async\" srcset=\"https:\/\/i2.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/Rom\u00e0nic-Estaon-absis-1.jpg?strip=info&#038;w=400&#038;ssl=1 400w\" alt=\"\" data-height=\"413\" data-id=\"18682\" data-link=\"https:\/\/blog.museunacional.cat\/?attachment_id=18682\" data-url=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Rom\u00e0nic-Estaon-absis-1.jpg\" data-width=\"400\" src=\"https:\/\/i2.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/Rom\u00e0nic-Estaon-absis-1.jpg?ssl=1\"\/><\/a><\/figure><\/div><\/div><\/div><\/div>\n\n\n\n<p>We find the first representation of Saint Eul\u00e0lia in <strong>the mural painting of the mid twelfth century from the old parish church of <\/strong><a href=\"https:\/\/www.museunacional.cat\/en\/colleccio\/apse-estaon\/anonim-catalunya\/015969-000\"><strong>Santa Eul\u00e0lia d&#8217;Estaon<\/strong><\/a>, in the Valley of Card\u00f3s, Pallars Sobir\u00e0. <\/p>\n\n\n\n<p>Inspired by the style of the Circle of\nPedret, the iconography of the apse of Estaon presents certain interesting features.\nThe <em>Maiestas Domini<\/em> reposes on a full\ncircle, a Carolingian reminiscence, and it is surrounded by the Tetramorph. The\nimage of Christ is accompanied by a seraph, a cherub and two archangels. In the\nhalf-cylinder there is a depiction of the Baptism of Christ, naked in the river\nJordan at the moment he was baptized by John. <\/p>\n\n\n\n<p>Flanking the scene there is a series of female saints. Next to it is the Virgin Mary holding the chalice of the Eucharist. <strong>To her right, Saint Eul\u00e0lia (\u00abSCS EULALIA\u00bb) the titular saint of the church<\/strong>. On the other side, Saint Lucy and probably Saint Agnes.<\/p>\n\n\n\n<p>At the bottom some deliberately transparent\ncurtains allow us to glimpse a hunting scene: a man with a net, his dog, a wild\nboar with huge tusks, and another fierce animal. Hunting scenes, very common in\nAntiquity and assimilated by Christian iconography, must be understood as the\nstruggle between good and evil.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.museunacional.cat\/sites\/default\/files\/063903-000_002046.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"405\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Rom\u00e0nic-Estaon-Vallhonrat-1.jpg\" alt=\"Joan Vallhonrat, Reproduction of the paintings of the apse from Santa Eul\u00e0lia d'Estaon\" class=\"wp-image-18683\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Rom\u00e0nic-Estaon-Vallhonrat-1.jpg 400w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Rom\u00e0nic-Estaon-Vallhonrat-1-296x300.jpg 296w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><figcaption>You can also see the drawing by Joan Vallhonrat, <em><a href=\"https:\/\/www.museunacional.cat\/en\/colleccio\/reproduction-paintings-apse-santa-eulalia-destaon\/joan-vallhonrat\/063903-000\">Reproduction of the paintings of the apse from Santa Eul\u00e0lia d&#8217;Estaon<\/a><\/em>, 1910.<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Santa\nEul\u00e0lia in the Gothic art collections <\/strong><\/h4>\n\n\n\n<p>The Gothic period is noted for the material\nrichness and the profusion of the figurative arts in the different types and\ntechniques. Throughout the collection the figure of Saint Eul\u00e0lia reappears more\nfrequently and more prominently.<\/p>\n\n\n\n<ul class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-an\u00f2nim-662x1024.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"662\" height=\"1024\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-an\u00f2nim-662x1024.jpg\" alt=\"\" data-id=\"18611\" data-link=\"https:\/\/blog.museunacional.cat\/?attachment_id=18611\" class=\"wp-image-18611\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-an\u00f2nim-662x1024.jpg 662w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-an\u00f2nim-194x300.jpg 194w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-an\u00f2nim-768x1188.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-an\u00f2nim.jpg 1939w\" sizes=\"auto, (max-width: 662px) 100vw, 662px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-Ramon-G-622x1024.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"622\" height=\"1024\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-Ramon-G-622x1024.jpg\" alt=\"\" data-id=\"18612\" data-link=\"https:\/\/blog.museunacional.cat\/?attachment_id=18612\" class=\"wp-image-18612\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-Ramon-G-622x1024.jpg 622w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-Ramon-G-182x300.jpg 182w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-Ramon-G-768x1264.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-Ramon-G.jpg 1823w\" sizes=\"auto, (max-width: 622px) 100vw, 622px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-Dalmau-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"409\" height=\"400\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-Dalmau-1.jpg\" alt=\"\" data-id=\"18647\" data-link=\"https:\/\/blog.museunacional.cat\/?attachment_id=18647\" class=\"wp-image-18647\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-Dalmau-1.jpg 409w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-Dalmau-1-300x293.jpg 300w\" sizes=\"auto, (max-width: 409px) 100vw, 409px\" \/><\/a><\/figure><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Anonymous, <em><a href=\"https:\/\/www.museunacional.cat\/en\/colleccio\/altarpiece-saint-john-baptist-saint-eulalia-and-saint-sebastian\/anonim-catalunya\/015814-cjt\">Altarpiece of Saint John the Baptist, Saint Eul\u00e0lia and Saint Sebastian<\/a><\/em>, second half of the 15<sup>th<\/sup> C<\/li><li> Master of All (Ramon Gon\u00e7albo?), <em><a href=\"https:\/\/www.museunacional.cat\/en\/colleccio\/saint-eulalia\/mestre-dall-ramon-goncalbo\/005089-000\">Saint Eul\u00e0lia<\/a><\/em>, third quarter of the 15<sup>th<\/sup> C <\/li><li> Llu\u00eds Dalmau, <em><a href=\"https:\/\/www.museunacional.cat\/en\/colleccio\/virgin-consellers\/lluis-dalmau\/015938-000\">Virgin of the \u201cConsellers\u201d<\/a><\/em> , 1443-1445 <\/li><\/ul>\n\n\n\n<p>Although on\nthese panels Saint Eul\u00e0lia is represented as a beautiful damsel, dressed in a\ntunic and cloak and accompanied by her attributes, in the following depictions,\nby Bernat Martorell, the main theme are some of the tortures that the young\nmartyr suffered. <\/p>\n\n\n\n<p>We first come to three compartments from an altarpiece dedicated to the saint. The scene in the middle shows <strong>the flagellation, with Datianus, seated on a throne, looking on<\/strong>. Flanking the central compartment are Saint Michael and Saint Catherine of Alexandria. The assembly of the pieces is modern and does not correspond to the original. In the Museu Nacional there is also a fourth panel dedicated to <strong>the martyrdom of Saint Eul\u00e0lia on the rack<\/strong>, from the same group. It shows the torturers tearing her flesh in the presence of the prefect, other dignitaries and Roman soldiers.<\/p>\n\n\n\n<div class=\"wp-block-jetpack-tiled-gallery aligncenter is-style-rectangular\"><div class=\"tiled-gallery__gallery\"><div class=\"tiled-gallery__row\"><div class=\"tiled-gallery__col\"><figure class=\"tiled-gallery__item\"><a href=\"https:\/\/i1.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-Martorell-2.jpg?ssl=1\"><img decoding=\"async\" srcset=\"https:\/\/i1.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-Martorell-2.jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i1.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-Martorell-2.jpg?strip=info&#038;w=900&#038;ssl=1 900w,https:\/\/i1.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-Martorell-2.jpg?strip=info&#038;w=1200&#038;ssl=1 1200w,https:\/\/i1.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-Martorell-2.jpg?strip=info&#038;w=1500&#038;ssl=1 1500w,https:\/\/i1.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-Martorell-2.jpg?strip=info&#038;w=1800&#038;ssl=1 1800w,https:\/\/i1.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-Martorell-2.jpg?strip=info&#038;w=2000&#038;ssl=1 2000w\" alt=\"\" data-height=\"2195\" data-id=\"18615\" data-link=\"https:\/\/blog.museunacional.cat\/?attachment_id=18615\" data-url=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-Martorell-2.jpg\" data-width=\"3000\" src=\"https:\/\/i1.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-Martorell-2.jpg?ssl=1\"\/><\/a><\/figure><\/div><div class=\"tiled-gallery__col\"><figure class=\"tiled-gallery__item\"><a href=\"https:\/\/i0.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-Martorell.jpg?ssl=1\"><img decoding=\"async\" srcset=\"https:\/\/i0.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-Martorell.jpg?strip=info&#038;w=283&#038;ssl=1 283w\" alt=\"\" data-height=\"400\" data-id=\"18616\" data-link=\"https:\/\/blog.museunacional.cat\/?attachment_id=18616\" data-url=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-Martorell.jpg\" data-width=\"283\" src=\"https:\/\/i0.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/G\u00f2tic-Sta-Eul\u00e0lia-Martorell.jpg?ssl=1\"\/><\/a><\/figure><\/div><\/div><\/div><\/div>\n\n\n\n<p class=\"has-small-font-size\">Bernat\nMartorell, <em><a href=\"https:\/\/www.museunacional.cat\/en\/colleccio\/saint-michael-martyrdom-saint-eulalia-and-saint-catherine\/bernat-martorell\/064042-000\">Saint\nMichael, martyrdom of Saint Eul\u00e0lia and Saint Catherine<\/a><\/em> and <em><a href=\"https:\/\/www.museunacional.cat\/en\/colleccio\/martyrdom-saint-eulalia\/bernat-martorell\/064041-000\">Martyrdom\nof Saint Eul\u00e0lia<\/a><\/em>, <em>c.<\/em> 1442 \u2013\n1445<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Saint Eul\u00e0lia in the Renaissance and Baroque art collections <\/strong><\/h4>\n\n\n\n<p>Josep Bernat Flaugier is the author of this drawing of <a href=\"https:\/\/www.museunacional.cat\/en\/colleccio\/saint-eulalia\/josep-bernat-flaugier\/026029-d\"><em>Saint Eul\u00e0lia<\/em><\/a> in which she is once again shown with the X-shaped cross, holding a flower-filled apron. The oral legend as <a href=\"https:\/\/en.wikipedia.org\/wiki\/Joan_Amades\">Joan Amades<\/a> tells it explains this passage for us.\u00a0 <\/p>\n\n\n\n<p>Young Eul\u00e0lia was a very charitable girl; people in need frequented her house because she always gave them alms. This annoyed her parents, who often told her off. One day Eul\u00e0lia was carrying bread hidden among her petticoats, to share it out, when her father asked her what she was carrying, and she said that she was carrying flowers in it. <strong>God worked a miracle and the bread was turned into flowers<\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><a href=\"https:\/\/www.museunacional.cat\/sites\/default\/files\/026029-d_081218.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Barroc-859x1024.jpg\" alt=\"Josep Bernat Flaugier, Saint Eul\u00e0lia\" class=\"wp-image-18626\" width=\"374\" height=\"445\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Barroc-859x1024.jpg 859w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Barroc-252x300.jpg 252w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Barroc-768x916.jpg 768w\" sizes=\"auto, (max-width: 374px) 100vw, 374px\" \/><\/a><figcaption>Josep Bernat Flaugier, <em><a href=\"https:\/\/www.museunacional.cat\/sites\/default\/files\/026029-d_081218.jpg\">Saint Eul\u00e0lia<\/a><\/em>, c. 1794 \u2013 1797<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Saint Eul\u00e0lia in the Modern art collections<\/strong><\/h4>\n\n\n\n<p>We come to the end of the visit looking at\nthree significant works in which the saint is represented. Firstly, an\nexpressive <em><a href=\"https:\/\/www.museunacional.cat\/en\/colleccio\/martyrdom-saint-eulalia\/francesc-torras\/003803-d\">Martyrdom\nof Saint Eul\u00e0lia<\/a> <\/em>by Francesc Torras, <em>c. <\/em>1860-1876, where we see Datianus contemplating the scene of the\ncrucifixion.<\/p>\n\n\n\n<p>Secondly, a photograph by Joan Mart\u00ed of the statue of <em><a href=\"https:\/\/www.museunacional.cat\/en\/colleccio\/sta-eulalia-padro\/joan-marti\/219881-002\">Saint Eul\u00e0lia in Pla\u00e7a del Pedr\u00f3<\/a><\/em>, 1874. As was mentioned earlier, this square in the centre of Barcelona is one of the possible places where according to legend Saint Eul\u00e0lia died. <strong>In the seventeenth century a commemorative monument was erected in her honour<\/strong>. In the photograph we see the original statue by Llu\u00eds Bonifa\u00e7 <em>the Elder <\/em>and Ll\u00e0tzer Tremulles, destroyed during the Civil War. Later, Frederic Mar\u00e8s was commissioned with sculpting the new statue that today still crowns the fountain (1951).<\/p>\n\n\n\n<div class=\"wp-block-jetpack-tiled-gallery aligncenter is-style-rectangular\"><div class=\"tiled-gallery__gallery\"><div class=\"tiled-gallery__row\"><div class=\"tiled-gallery__col\"><figure class=\"tiled-gallery__item\"><a href=\"https:\/\/i2.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/Modern-Torras.jpg?ssl=1\"><img decoding=\"async\" srcset=\"https:\/\/i2.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/Modern-Torras.jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i2.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/Modern-Torras.jpg?strip=info&#038;w=900&#038;ssl=1 900w,https:\/\/i2.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/Modern-Torras.jpg?strip=info&#038;w=1200&#038;ssl=1 1200w,https:\/\/i2.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/Modern-Torras.jpg?strip=info&#038;w=1500&#038;ssl=1 1500w,https:\/\/i2.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/Modern-Torras.jpg?strip=info&#038;w=1800&#038;ssl=1 1800w,https:\/\/i2.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/Modern-Torras.jpg?strip=info&#038;w=1870&#038;ssl=1 1870w\" alt=\"\" data-height=\"2870\" data-id=\"18628\" data-link=\"https:\/\/blog.museunacional.cat\/?attachment_id=18628\" data-url=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Modern-Torras.jpg\" data-width=\"1870\" src=\"https:\/\/i2.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/Modern-Torras.jpg?ssl=1\"\/><\/a><\/figure><\/div><div class=\"tiled-gallery__col\"><figure class=\"tiled-gallery__item\"><a href=\"https:\/\/i0.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/Modern-Padr\u00f3-1.jpg?ssl=1\"><img decoding=\"async\" srcset=\"https:\/\/i0.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/Modern-Padr\u00f3-1.jpg?strip=info&#038;w=600&#038;ssl=1 600w,https:\/\/i0.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/Modern-Padr\u00f3-1.jpg?strip=info&#038;w=900&#038;ssl=1 900w,https:\/\/i0.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/Modern-Padr\u00f3-1.jpg?strip=info&#038;w=1200&#038;ssl=1 1200w,https:\/\/i0.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/Modern-Padr\u00f3-1.jpg?strip=info&#038;w=1500&#038;ssl=1 1500w,https:\/\/i0.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/Modern-Padr\u00f3-1.jpg?strip=info&#038;w=1800&#038;ssl=1 1800w,https:\/\/i0.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/Modern-Padr\u00f3-1.jpg?strip=info&#038;w=2000&#038;ssl=1 2000w\" alt=\"\" data-height=\"3000\" data-id=\"18631\" data-link=\"https:\/\/blog.museunacional.cat\/?attachment_id=18631\" data-url=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Modern-Padr\u00f3-1.jpg\" data-width=\"2232\" src=\"https:\/\/i0.wp.com\/blog.museunacional.cat\/wp-content\/uploads\/Modern-Padr\u00f3-1.jpg?ssl=1\"\/><\/a><\/figure><\/div><\/div><\/div><\/div>\n\n\n\n<p>Thirdly and finally, we will stop in front of the painting by Aleix Clap\u00e9s to explain another legendary passage: the <em><a href=\"https:\/\/www.museunacional.cat\/en\/colleccio\/translation-mortal-remains-saint-eulalia-santa-maria-del-mar-cathedral-barcelona\/aleix-clapes\/010792-000\">Translation of the remains of Saint Eul\u00e0lia from Santa Maria del Mar to the cathedral<\/a><\/em>, <em>c.<\/em> 1890-1902. According to legend, when Frodoinus finally found the tomb of Saint Eul\u00e0lia, he organized a cortege to translate her remains to the cathedral, then the church of the Holy Cross. <strong>When the present-day Pla\u00e7a de l\u2019\u00c0ngel was created, the coffin was anchored to the ground and it was impossible to lift it<\/strong>. An angel appeared in the sky and pointed to a canon who had stolen one of the saint\u2019s fingers. Only when the relic was returned could the procession continue.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.museunacional.cat\/sites\/default\/files\/010792-000_081634.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"192\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Modern-Clap\u00e9s.jpg\" alt=\"Aleix Clap\u00e9s, The Translation of the remains of Saint Eul\u00e0lia from Santa Maria del Mar to the cathedral\" class=\"wp-image-18632\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Modern-Clap\u00e9s.jpg 620w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Modern-Clap\u00e9s-300x93.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/figure>\n\n\n\n<p>In the Board Room of the Administration\nBlock of Hospital de Sant Pau there is another later painting by Aleix Clap\u00e9s in\nwhich the artist returns to this subject: it is the <a href=\"http:\/\/desantacreuasantpau.blogspot.com\/2013\/12\/la-sala-dactes-de-lhospital.html\"><em>Burial of Saint Eul\u00e0lia<\/em><\/a>, 1921.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"365\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Clapes-Sant-Pau.jpg\" alt=\"Aleix Clap\u00e9s, Burial of Saint Eul\u00e0lia\" class=\"wp-image-18633\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Clapes-Sant-Pau.jpg 800w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Clapes-Sant-Pau-300x137.jpg 300w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Clapes-Sant-Pau-768x350.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption>Aleix Clap\u00e9s, <em>Burial of Saint Eul\u00e0lia<\/em>, 1921. Image from the blog of the history of the hospital of La Santa Creu and Sant Pau.<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Bibliography<\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/ccuc.csuc.cat\/search~S34*cat?\/aCabestany+i+Fort%2C+Joan-F.+%28Joan-Ferran%29%2C+1930-2013\/acabestany+i+fort+joan+f+joan+ferran+++++1930+++++2013\/1%2C1%2C35%2CB\/frameset&amp;FF=acabestany+i+fort+joan+f+joan+ferran+++++1930+++++2013&amp;12%2C%2C35\">CABESTANY I FORT, Joan-F, <em>El culte de santa Eul\u00e0lia a la catedral de Barcelona<\/em><\/a><em> (s. IX-X)<\/em>, Lambard. Estudis d\u2019art medieval. Amics de l\u2019Art Rom\u00e0nic, IEC, Vol. IX, Barcelona, 1996.<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/ccuc.csuc.cat\/search~S34*cat\/?searchtype=t&amp;searcharg=Guia+art.+Rom%C3%A0nic&amp;searchscope=34&amp;sortdropdown=-&amp;SORT=D&amp;extended=0&amp;SUBMIT=Cerca&amp;searchlimits=&amp;searchorigarg=aRibas+Garriga\">CARBONELL, E., PAG\u00c8S, M., CAMPS, J., MAROT, T., <em>Guia art rom\u00e0nic<\/em><\/a>, Museu Nacional d\u2019Art de Catalunya, Barcelona, 1997.<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/ccuc.csuc.cat\/search~S34*cat\/?searchtype=t&amp;searcharg=Guia+art.+g%C3%B2tic&amp;searchscope=34&amp;sortdropdown=-&amp;SORT=D&amp;extended=0&amp;SUBMIT=Cerca&amp;searchlimits=&amp;searchorigarg=tGuia+art.+Rom%7Bu00E0%7Dnic\">MANOTE, M.R., RUIZ, F., QU\u00cdLEZ, F., MANOT, T., <em>Guia art g\u00f2tic<\/em><\/a>, Museu Nacional d\u2019Art de Catalunya, Barcelona, 1998.<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/ccuc.csuc.cat\/search~S34*cat?\/aPascual\/apascual\/51%2C93%2C134%2CB\/frameset&amp;FF=apascual+oriol+++++1961&amp;2%2C%2C2\">PASCUAL I SANPONS (ed.), Robert Bar\u00f3 i Cabrera, Pablo Abella Villar, Cristina Fontcuberta i Famadas, Carme Grandas i Sagarra, Amadeu Carb\u00f3 i Martorell, <em>Santa Eul\u00e0lia, patrona de Barcelona<\/em><\/a>, Ajuntament de Barcelona, Institut de Cultura, Museu Etnol\u00f2gic i de Cultures del M\u00f3n, Barcelona, 2018.<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/ccuc.csuc.cat\/search~S34*cat?\/aReau\/areau\/1%2C2%2C31%2CB\/frameset&amp;FF=areau+louis+++++1881+++++1961&amp;11%2C%2C30\/indexsort=t\">REAU, L., Iconograf\u00eda del arte cristiano<\/a>, trad. Daniel Alcoba, Ediciones del Serbal, Barcelona, 1995.<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/ccuc.csuc.cat\/search~S34*cat?\/aRibas+Garriga\/aribas+garriga\/1%2C1%2C3%2CB\/frameset&amp;FF=aribas+garriga+rosa&amp;3%2C%2C3\/indexsort=-\">RIBAS GARRIGA, Rosa, <em>Culte i iconografia de Santa Eul\u00e0lia i Sant Oleguer a Catalunya. Una proposta did\u00e0ctica<\/em><\/a>, Ed. Claret, Barcelona, 2009.<\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Related links<\/h3>\n\n\n\n<p><a href=\"https:\/\/www.amicsdelmnac.org\/ca\/actualitat\/obra-de-la-setmana-177\">Obra\nde la setmana #177 &#8211; Santa Eul\u00e0lia<\/a>. Amics del Museu Nacional d\u2019Art de\nCatalunya.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.bnc.cat\/esl\/El-Blog-de-la-BC\/Santa-Eulalia-patrona-de-Barcelona\">Santa\nEul\u00e0lia, patrona de Barcelona<\/a>. Biblioteca de Catalunya.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Milena Pi Historical and legendary events are interwoven in the figure of Saint Eul\u00e0lia, whose saint\u2019s day we are celebrating this week. We thought this would be a good opportunity to take a closer look at the historical sources, the origins of her cult, and the symbolism that this relic has for Barcelona and the&#8230;<\/p>\n","protected":false},"author":66,"featured_media":18598,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[15,1,2],"tags":[855,395,915],"class_list":["post-18665","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-collection","category-general","category-general-en","tag-baroque","tag-modern-art","tag-romanesque-art","author-milena-pi"],"jetpack_featured_media_url":"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Eul\u00e0lia-portada.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4tWCI-4R3","_links":{"self":[{"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/posts\/18665","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/users\/66"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/comments?post=18665"}],"version-history":[{"count":32,"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/posts\/18665\/revisions"}],"predecessor-version":[{"id":18818,"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/posts\/18665\/revisions\/18818"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/media\/18598"}],"wp:attachment":[{"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/media?parent=18665"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/categories?post=18665"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/tags?post=18665"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}