
{"id":11867,"date":"2017-12-28T12:22:10","date_gmt":"2017-12-28T12:22:10","guid":{"rendered":"http:\/\/blog.museunacional.cat\/?p=11867"},"modified":"2021-03-17T09:57:53","modified_gmt":"2021-03-17T09:57:53","slug":"2017-at-the-museu-nacional-a-visual-summary","status":"publish","type":"post","link":"https:\/\/blog.museunacional.cat\/en\/2017-at-the-museu-nacional-a-visual-summary\/","title":{"rendered":"2017 at the Museu Nacional: a visual summary"},"content":{"rendered":"<p><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/cap\u00e7alera-resum-visual.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11902\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/cap\u00e7alera-resum-visual.jpg\" alt=\"\" width=\"620\" height=\"294\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/cap\u00e7alera-resum-visual.jpg 1500w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/cap\u00e7alera-resum-visual-300x142.jpg 300w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/cap\u00e7alera-resum-visual-768x364.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/cap\u00e7alera-resum-visual-1024x485.jpg 1024w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p>We present you with a visual review of our 2017 at the Museu Nacional. It has been a year of intense activity centred on the renovation works of the Renaissance and Baroque, of shaking up the collection and in the form of the temporary exhibitions, strengthening ties at a local and International level.\u00a0 Working for the construction of a more open and social museum is what our task pivots on every day.<\/p>\n<p>We would like to take this opportunity to thank all of you, the readers of this blog, the visitors to the museum, the participants of the activities, the users of the web, and the people active in the networks, for your participation.<\/p>\n<h3>Two exhibitions that are ground-breaking<\/h3>\n<p><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/3347-111.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11891\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/3347-111.jpg\" alt=\"\" width=\"620\" height=\"385\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/3347-111.jpg 3000w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/3347-111-300x186.jpg 300w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/3347-111-768x477.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/3347-111-1024x636.jpg 1024w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.museunacional.cat\/en\/uprisings\" target=\"_blank\" rel=\"noopener noreferrer\">Uprisings<\/a>, an exhibition about revolts, rebelliousness, political turmoil, and social movements.\u00a0 Organised by the <em>Jeu de Paume<\/em> of Paris, adapted in collaboration with the museum for the presentation in Barcelona, it has been curated by the prestigious philosopher, art historian and exhibition curator <a href=\"https:\/\/en.wikipedia.org\/wiki\/Georges_Didi-Huberman\" target=\"_blank\" rel=\"noopener noreferrer\">Georges Didi-Huberman<\/a>.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/MYOxXjoI4tY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Francesc Torres, a multifaceted Catalan artist, explores the collision between history and culture while reflecting, at the same time, on the nature of the museums in the exhibition <a href=\"https:\/\/www.museunacional.cat\/en\/entropic-box-collision-history-and-culture\" target=\"_blank\" rel=\"noopener noreferrer\">Francesc Torres. The entropic box [The museum of lost objects] .<\/a><\/p>\n<h3>Rediscovering Catalan artists<\/h3>\n<p><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/SMITH-018.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11893\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/SMITH-018.jpg\" alt=\"\" width=\"620\" height=\"467\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/SMITH-018.jpg 3000w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/SMITH-018-300x226.jpg 300w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/SMITH-018-768x579.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/SMITH-018-1024x771.jpg 1024w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p>The exhibition <a href=\"https:\/\/www.museunacional.cat\/en\/ismael-smith-beauty-and-monsters\" target=\"_blank\" rel=\"noopener noreferrer\">Ismael Smith, the beauty and the monsters<\/a> has reviewed the trajectory of this unconventional artist in the world order of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Noucentisme\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Noucentisme<\/em><\/a>.\u00a0<strong><br \/>\n<\/strong><\/p>\n<p><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Inauguraci\u00f3-Torn\u00e9-E-033.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11896\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Inauguraci\u00f3-Torn\u00e9-E-033.jpg\" alt=\"\" width=\"620\" height=\"430\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Inauguraci\u00f3-Torn\u00e9-E-033.jpg 3000w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Inauguraci\u00f3-Torn\u00e9-E-033-300x208.jpg 300w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Inauguraci\u00f3-Torn\u00e9-E-033-768x532.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Inauguraci\u00f3-Torn\u00e9-E-033-1024x710.jpg 1024w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><br \/>\nFirst monographic exhibition dedicated to the artist <a href=\"https:\/\/www.museunacional.cat\/en\/pere-torne-esquius-0\" target=\"_blank\" rel=\"noopener noreferrer\">Torn\u00e9 Esquius<\/a> , painter and artist who didn\u2019t fit in with the Modernist proposals, or with the <em>Noucentistes<\/em>.<\/p>\n<p><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/PICHOT-027.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11890\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/PICHOT-027.jpg\" alt=\"\" width=\"620\" height=\"365\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/PICHOT-027.jpg 3000w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/PICHOT-027-300x176.jpg 300w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/PICHOT-027-768x452.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/PICHOT-027-1024x602.jpg 1024w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p>We have recuperated the work of <a href=\"https:\/\/www.museunacional.cat\/en\/ramon-pichot\" target=\"_blank\" rel=\"noopener noreferrer\">Ramon Pichot<\/a>, one of the most forgotten figures of Catalan art of the 19<sup>th<\/sup> century, Pichot lived at the epicentre of international art of the period.\u00a0 <strong>His work was especially characterised by the treatment and pre-eminence of colour.\u00a0\u00a0<\/strong><\/p>\n<h3>The collection grows<\/h3>\n<div id=\"attachment_11880\" style=\"width: 278px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Taula-Dalmau.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-11880\" class=\"wp-image-11880\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Taula-Dalmau.jpg\" alt=\"\" width=\"268\" height=\"400\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Taula-Dalmau.jpg 2012w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Taula-Dalmau-201x300.jpg 201w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Taula-Dalmau-768x1145.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Taula-Dalmau-687x1024.jpg 687w\" sizes=\"auto, (max-width: 268px) 100vw, 268px\" \/><\/a><p id=\"caption-attachment-11880\" class=\"wp-caption-text\">Llu\u00eds Dalmau,\u00a0<a href=\"https:\/\/www.museunacional.cat\/en\/colleccio\/beheading-saint-baudilus\/lluis-dalmau\/251882-000\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The beheading of Saint Baudilus<\/em><\/a>, 1448<\/p><\/div>\n<p>The Museu Nacional has acquired the panel of <a href=\"https:\/\/www.museunacional.cat\/en\/colleccio\/beheading-saint-baudilus\/lluis-dalmau\/251882-000\" target=\"_blank\" rel=\"noopener noreferrer\"><em><strong>The beheading of Saint Baudilus<\/strong><\/em><\/a><strong>,\u00a0by Llu\u00eds Dalmau<\/strong>, thanks to the funding of the Fundaci\u00f3 Palarq. It comes from the old major Gothic altarpiece of the parish church of Sant Boi de Llobregat\u00a0(Baix Llobregat), and it is one of the few works conserved of the painter.<\/p>\n<table style=\"height: 289px;\" border=\"0\" width=\"615\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"border: hidden;\" valign=\"top\">\n<p><div id=\"attachment_11923\" style=\"width: 283px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/casagemas-1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-11923\" class=\"wp-image-11923\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/casagemas-1.jpg\" alt=\"\" width=\"273\" height=\"239\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/casagemas-1.jpg 1253w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/casagemas-1-300x263.jpg 300w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/casagemas-1-768x672.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/casagemas-1-1024x897.jpg 1024w\" sizes=\"auto, (max-width: 273px) 100vw, 273px\" \/><\/a><p id=\"caption-attachment-11923\" class=\"wp-caption-text\">Carles Casagemas, <em>Old couple<\/em>, M\u00e0laga, 1900-1901<\/p><\/div><\/td>\n<td style=\"border: hidden;\" valign=\"top\">\n<p><div id=\"attachment_11873\" style=\"width: 332px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/guinovart_crani._museu_nacional_dart_de_catalunya_2017.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-11873\" class=\"wp-image-11873\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/guinovart_crani._museu_nacional_dart_de_catalunya_2017.jpg\" alt=\"\" width=\"322\" height=\"239\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/guinovart_crani._museu_nacional_dart_de_catalunya_2017.jpg 1382w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/guinovart_crani._museu_nacional_dart_de_catalunya_2017-300x223.jpg 300w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/guinovart_crani._museu_nacional_dart_de_catalunya_2017-768x572.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/guinovart_crani._museu_nacional_dart_de_catalunya_2017-1024x762.jpg 1024w\" sizes=\"auto, (max-width: 322px) 100vw, 322px\" \/><\/a><p id=\"caption-attachment-11873\" class=\"wp-caption-text\">Josep Guinovart, <em>Skull<\/em>, 1953<\/p><\/div><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>With the support of the Fundaci\u00f3 Amics of the Museu Nacional, the museum has acquired the drawing <em>Old couple<\/em>, by Carles Casagemas and the oil painting by Josep Guinovart <em>Skull.<\/em><\/p>\n<p>It is also worth highlighting the acquisition of a series of <a href=\"https:\/\/www.museunacional.cat\/en\/acquisition-200-photographs-oriol-maspons-funded-nando-and-elsa-peretti-foundation-2017\" target=\"_blank\" rel=\"noopener noreferrer\">200 photographs by Oriol Maspons<\/a> from the heirs of the artist, with the sponsorship of the Fundaci\u00f3 Nando i Elsa Peretti.<\/p>\n<h3>Artistic interventions on the collection<\/h3>\n<table style=\"height: 223px;\" border=\"0\" width=\"620\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"border: hidden;\" valign=\"top\"><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/NIT-2017-055.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11895\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/NIT-2017-055.jpg\" alt=\"\" width=\"310\" height=\"217\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/NIT-2017-055.jpg 3000w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/NIT-2017-055-300x210.jpg 300w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/NIT-2017-055-768x537.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/NIT-2017-055-1024x716.jpg 1024w\" sizes=\"auto, (max-width: 310px) 100vw, 310px\" \/><\/a><\/td>\n<td style=\"border: hidden;\" valign=\"top\"><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/01-2.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11926\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/01-2.jpg\" alt=\"\" width=\"306\" height=\"218\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/01-2.jpg 1480w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/01-2-300x213.jpg 300w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/01-2-768x546.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/01-2-1024x728.jpg 1024w\" sizes=\"auto, (max-width: 306px) 100vw, 306px\" \/><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><a href=\"https:\/\/www.museunacional.cat\/en\/activities\/vignette-vignette-itinerary-comic-book-code-modern-art\" target=\"_blank\" rel=\"noopener noreferrer\">From vignette to vignette. Itinerary in comic book code by Modern art<\/a> has a presented a dialogue with 20 works from the Modern Art collection in comic book code.\u00a0 The artists, students of comic from the <strong>Escola Joso, have interpreted the works by elaborating a cartoon strip<\/strong><strong>. <\/strong><\/p>\n<table style=\"height: 197px;\" border=\"0\" width=\"619\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"border: hidden;\" valign=\"top\"><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/3353-007-2.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11928\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/3353-007-2.jpg\" alt=\"\" width=\"208\" height=\"188\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/3353-007-2.jpg 1161w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/3353-007-2-300x271.jpg 300w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/3353-007-2-768x694.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/3353-007-2-1024x925.jpg 1024w\" sizes=\"auto, (max-width: 208px) 100vw, 208px\" \/><\/a><\/td>\n<td style=\"border: hidden;\" valign=\"top\"><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/synthesis-003_0.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11881\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/synthesis-003_0.jpg\" alt=\"\" width=\"189\" height=\"189\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/synthesis-003_0.jpg 3000w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/synthesis-003_0-150x150.jpg 150w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/synthesis-003_0-300x300.jpg 300w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/synthesis-003_0-768x768.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/synthesis-003_0-1024x1024.jpg 1024w\" sizes=\"auto, (max-width: 189px) 100vw, 189px\" \/><\/a><\/td>\n<td style=\"border: hidden;\" valign=\"top\"><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/PEP-VIDAL-009-1.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11929\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/PEP-VIDAL-009-1.jpg\" alt=\"\" width=\"205\" height=\"190\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/PEP-VIDAL-009-1.jpg 2369w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/PEP-VIDAL-009-1-300x279.jpg 300w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/PEP-VIDAL-009-1-768x713.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/PEP-VIDAL-009-1-1024x951.jpg 1024w\" sizes=\"auto, (max-width: 205px) 100vw, 205px\" \/><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><a href=\"https:\/\/www.museunacional.cat\/en\/exploring-gold-investigating-gold-paintings-museum\" target=\"_blank\" rel=\"noopener noreferrer\">Exploring gold.\u00a0 Investigating the gold in the paintings of the museum<\/a>, <a href=\"https:\/\/www.museunacional.cat\/en\/synthesis-official-master-contemporary-artistic-creation-faculty-fine-arts\" target=\"_blank\" rel=\"noopener noreferrer\">Synthesis<\/a> and <a href=\"https:\/\/www.museunacional.cat\/en\/PepVidal\" target=\"_blank\" rel=\"noopener noreferrer\">{1, 2, 3, 4, 5, 6, 7\u2026} <\/a>have been three of the artistic interventions that have taken place in the museum.<\/p>\n<h3>Conservation, restoration and research<\/h3>\n<p>The actions of restoration have been focused above all on the works of <a href=\"https:\/\/www.museunacional.cat\/en\/advanced-piece-search\" target=\"_blank\" rel=\"noopener noreferrer\">Ismael Smith<\/a>, of whom the major part of his work is conserved in the museum\u2019s storage rooms and had never been restored; and on the collection of Renaissance and Baroque, on the occasion of the new presentation at the end of January 2018.<\/p>\n<p>The state of conservation of around one hundred works has been revised, frames have been changed, examinations and analyses of relevant works have been carried out, and in-depth interventions have been done with around twenty pieces in the different specialties. One of the most notable has been the painting by Paolo de Matteis <em>King Wenceslaus IV sentences St. John Nepomucene<\/em>, from 1710, a work of major dimensions (293&#215;174 cm) property of the Catalan Academy of Fine Arts of Sant Jordi deposited in the Museum since 1906.<\/p>\n<table style=\"height: 246px;\" border=\"0\" width=\"620\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"border: hidden;\" valign=\"top\"><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/restauraci\u00f31.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11878\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/restauraci\u00f31.jpg\" alt=\"\" width=\"150\" height=\"242\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/restauraci\u00f31.jpg 476w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/restauraci\u00f31-186x300.jpg 186w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/td>\n<td style=\"border: hidden;\" valign=\"top\"><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/restauraci\u00f32.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11879\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/restauraci\u00f32.jpg\" alt=\"\" width=\"150\" height=\"240\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/restauraci\u00f32.jpg 575w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/restauraci\u00f32-187x300.jpg 187w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/td>\n<td style=\"border: hidden;\" valign=\"top\"><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/restauraci\u00f33.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11877\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/restauraci\u00f33.jpg\" alt=\"\" width=\"319\" height=\"239\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/restauraci\u00f33.jpg 739w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/restauraci\u00f33-300x225.jpg 300w\" sizes=\"auto, (max-width: 319px) 100vw, 319px\" \/><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>In the images, on the front and the back of the painting of Paolo de Matteis before starting the treatment, and on the right, after the cleaning of the pictorial layer.<\/p>\n<p><a href=\"https:\/\/www.museunacional.cat\/en\/symposium-theoretical-years-avant-garde-1962-1979-art-and-review-pop-conceptualism\" target=\"_blank\" rel=\"noopener noreferrer\">Symposium: The theoretical years (avant-garde, 1962-1979). Art and review, from pop to conceptualism<\/a>, coordinated by \u00c0lex Mitrani and Jordi Ib\u00e1\u00f1ez.<\/p>\n<h3>Connecting art with the audiences<\/h3>\n<table style=\"height: 217px;\" border=\"0\" width=\"620\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"border: hidden;\" valign=\"top\"><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Vall-dHebron-043.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11883\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Vall-dHebron-043.jpg\" alt=\"\" width=\"303\" height=\"214\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Vall-dHebron-043.jpg 3000w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Vall-dHebron-043-300x212.jpg 300w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Vall-dHebron-043-768x543.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Vall-dHebron-043-1024x724.jpg 1024w\" sizes=\"auto, (max-width: 303px) 100vw, 303px\" \/><\/a><\/td>\n<td style=\"border: hidden;\" valign=\"top\"><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Vall-dHebron-080.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11882\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Vall-dHebron-080.jpg\" alt=\"\" width=\"320\" height=\"214\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Vall-dHebron-080.jpg 3000w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Vall-dHebron-080-300x200.jpg 300w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Vall-dHebron-080-768x512.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Vall-dHebron-080-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 320px) 100vw, 320px\" \/><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>We have <a href=\"https:\/\/www.museunacional.cat\/ca\/el-collectiu-boa-mistura-pintara-un-gran-mural-lentrada-de-lhospital-maternoinfantil-vall-dhebron-amb-la-collaboracio-de-dkv-i-el-museu-nacional-dart-de-catalunya\" target=\"_blank\" rel=\"noopener noreferrer\">taken art to the hospital<\/a>: The <a href=\"http:\/\/www.boamistura.com\/#\/home\" target=\"_blank\" rel=\"noopener noreferrer\">Boa Mistura<\/a> group, together with the hospitalised children of the Vall d\u2019Hebron,\u00a0 have painted a 19 metre long by 4.5 metre wide mural, inspired by the work\u00a0<a href=\"https:\/\/www.museunacional.cat\/en\/colleccio\/ramon-casas-and-pere-romeu-tandem\/ramon-casas\/069806-000\" target=\"_blank\" rel=\"noopener noreferrer\">Ramon Casas\u00a0and Pere Romeu on a tandem<\/a>, by Ramon Casas.<\/p>\n<p><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Familiar-018.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11889\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Familiar-018.jpg\" alt=\"\" width=\"620\" height=\"456\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Familiar-018.jpg 3000w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Familiar-018-300x221.jpg 300w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Familiar-018-768x564.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Familiar-018-1024x753.jpg 1024w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p>We highlight the variety of family activities that we have carried out during this year.<\/p>\n<h3>The collection travels<\/h3>\n<p><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Fortuny-Andalusia.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11872\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Fortuny-Andalusia.jpg\" alt=\"\" width=\"318\" height=\"400\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Fortuny-Andalusia.jpg 635w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Fortuny-Andalusia-238x300.jpg 238w\" sizes=\"auto, (max-width: 318px) 100vw, 318px\" \/><\/a><\/p>\n<p>Works of <a href=\"https:\/\/blog.museunacional.cat\/maria-fortuny-la-pintura-com-a-representacio-duna-cosmovisio\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Mari\u00e0 Fortuny<\/strong><\/a> have been present in <em>Temps de somni: Andalusia a l&#8217;imaginari de Fortuny<\/em> (Times of Dreams: Andalusia in the Imagery of Fortuny) in Granada and in Seville, an exhibition produced by our museum, the Obra Social \u201cLa Caixa\u201d and the Patronato de la Alhambra y Generalife;\u00a0 and a <a href=\"https:\/\/www.museodelprado.es\/actualidad\/exposicion\/fortuny-1838-1874\/8216331b-8024-4d46-8a6a-f6ba89095f02\" target=\"_blank\" rel=\"noopener noreferrer\">retrospective of his work<\/a> in the Museo Nacional del Prado.<\/p>\n<p>Loans of major series of works from the collection of the museum to exhibitions of the Network of Art Museums of Catalonia:<\/p>\n<p><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/expoCasas_CaixaF\u00f2rumMad_mar\u00e717.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11899 size-full\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/expoCasas_CaixaF\u00f2rumMad_mar\u00e717.jpg\" alt=\"\" width=\"577\" height=\"385\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/expoCasas_CaixaF\u00f2rumMad_mar\u00e717.jpg 577w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/expoCasas_CaixaF\u00f2rumMad_mar\u00e717-300x200.jpg 300w\" sizes=\"auto, (max-width: 577px) 100vw, 577px\" \/><\/a><\/p>\n<p>A selection of works of Ramon Casas have participated in the exhibition <a href=\"https:\/\/www.museunacional.cat\/en\/ramon-casas-desired-modernity\" target=\"_blank\" rel=\"noopener noreferrer\">Ramon Casas, desired<\/a> modernity in Sitges. This exhibition also travelled to the CaixaF\u00f2rum of Madrid.<\/p>\n<p>We have loaned works to the exhibition <a href=\"https:\/\/www.museunacional.cat\/en\/advanced-piece-search\" target=\"_blank\" rel=\"noopener noreferrer\"><strong><em>Olga Sacharoff<\/em><\/strong><\/a><em>: painting, poetry and emancipation,<\/em> of the Museu d&#8217;Art of Girona.<\/p>\n<p>The museum has continued the line of international loans. Among them:<\/p>\n<ul>\n<li>a work by Fragonard has been loaned to the <strong>National Gallery of Art<\/strong> of <strong>Washington.<\/strong><\/li>\n<li>a Dal\u00ed has travelled to the <strong>Royal Academy of Arts, of London and to<\/strong> <strong>St. Petersburg<\/strong>, Florida (USA).<\/li>\n<li>various Modernist works have been loaned to the <strong>National Museum of Western Art (NMWA)<\/strong>, of Tokyo.<\/li>\n<li>artworks by Juli Gonz\u00e1lez have travelled to the <strong>Gemeentemuseum Den Haag<\/strong> of The Hague.<\/li>\n<\/ul>\n<h3>Digital<\/h3>\n<p><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/mobile.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11900\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/mobile.jpg\" alt=\"\" width=\"620\" height=\"358\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/mobile.jpg 2028w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/mobile-300x173.jpg 300w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/mobile-768x443.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/mobile-1024x591.jpg 1024w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p>This year, the first edition has taken place of the <a href=\"https:\/\/www.museunacional.cat\/en\/mobile-week-barcelona-museu\" target=\"_blank\" rel=\"noopener noreferrer\">Mobile Week Barcelona<\/a>, in which the museum has participated with an exhibition of one of the winners.<\/p>\n<p><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Taularodona-Publicsvirtuals_10oct2017.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11887\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Taularodona-Publicsvirtuals_10oct2017.jpg\" alt=\"\" width=\"620\" height=\"349\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Taularodona-Publicsvirtuals_10oct2017.jpg 2048w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Taularodona-Publicsvirtuals_10oct2017-300x169.jpg 300w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Taularodona-Publicsvirtuals_10oct2017-768x432.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Taularodona-Publicsvirtuals_10oct2017-1024x576.jpg 1024w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p>The museum has participated very actively in the <a href=\"https:\/\/blog.museunacional.cat\/en\/10-key-takeaways-from-museums-and-the-web-2017\/\" target=\"_blank\" rel=\"noopener noreferrer\">Museums and the Web \u00a0<\/a>conference in \u00a0Cleveland, Ohio, USA, and also in the preparation of the seminar <a href=\"https:\/\/blog.museunacional.cat\/en\/analysis-of-the-digital-experience-in-the-museum\/\" target=\"_blank\" rel=\"noopener noreferrer\">Knowing the virtual publics of the museums<\/a> held in the MACBA (Museum of Contemprary Art of Barcelona).<\/p>\n<h3>Participation in international forums<\/h3>\n<p><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Bizot_Mumbai_nov17.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11884\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Bizot_Mumbai_nov17.jpg\" alt=\"\" width=\"620\" height=\"438\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Bizot_Mumbai_nov17.jpg 1200w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Bizot_Mumbai_nov17-300x212.jpg 300w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Bizot_Mumbai_nov17-768x543.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Bizot_Mumbai_nov17-1024x724.jpg 1024w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<p>The director of the museum, Pepe Serra, has participated in the meeting of the group <strong>Bizot, formed by people responsible from the major international museums. Two intensive days of exchange in Mumbai, India<\/strong>.<\/p>\n<p>The professionals from the museum have participated in the Annual Conference of ICDAD, The International Committee for Museums and Collections of Decorative Arts and Design, held in Miami and dedicated this year to <em>Art Deco in Decorative Arts and Design<\/em>.\u00a0 We have also participated in the\u00a0<a href=\"http:\/\/www.habanaradio.cu\/culturales\/de-la-investigacion-al-museo\/\" target=\"_blank\" rel=\"noopener noreferrer\">XII Taller de Investigaciones Hist\u00f3ricas y Museol\u00f3gicas<\/a>\u00a0(12th Workshop of Historic and Museological Research) in La Havana, with the talk\u00a0<em>El usuario en el centro: lo digital y la mediaci\u00f3n tecnol\u00f3gica, dos conceptos en auge (<\/em>The user in the centre: digital and technological mediation, two concepts on the increase). We have also been invited to Beijing, to exchange experiences in <a href=\"https:\/\/blog.museunacional.cat\/en\/digital-action-in-museums-of-china-palace-museum-of-beijing-and-others\/\" target=\"_blank\" rel=\"noopener noreferrer\">digital action in the Palace Museum<\/a> of the Forbidden City, with the talk \u201cDigital as a Transformation-Driver in Museums\u201d.<\/p>\n<h3>New presentation of the collection of Renaissance and Baroque<\/h3>\n<table style=\"height: 300px;\" border=\"0\" width=\"619\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"border: hidden;\" valign=\"top\"><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/065012-000-1.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11937\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/065012-000-1.jpg\" alt=\"\" width=\"180\" height=\"275\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/065012-000-1.jpg 1794w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/065012-000-1-196x300.jpg 196w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/065012-000-1-768x1173.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/065012-000-1-671x1024.jpg 671w\" sizes=\"auto, (max-width: 180px) 100vw, 180px\" \/><\/a><\/td>\n<td style=\"border: hidden;\" valign=\"top\"><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/005083-000_063693-1.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11935\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/005083-000_063693-1.jpg\" alt=\"\" width=\"213\" height=\"274\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/005083-000_063693-1.jpg 1968w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/005083-000_063693-1-233x300.jpg 233w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/005083-000_063693-1-768x988.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/005083-000_063693-1-796x1024.jpg 796w\" sizes=\"auto, (max-width: 213px) 100vw, 213px\" \/><\/a><\/td>\n<td style=\"border: hidden;\" valign=\"top\"><a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/064996-000.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11936\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/064996-000.jpg\" alt=\"\" width=\"193\" height=\"275\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/064996-000.jpg 2108w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/064996-000-211x300.jpg 211w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/064996-000-768x1093.jpg 768w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/064996-000-720x1024.jpg 720w\" sizes=\"auto, (max-width: 193px) 100vw, 193px\" \/><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h6>Lucas Cranach (el Vell), <a href=\"https:\/\/www.museunacional.cat\/en\/colleccio\/ill-matched-couple\/lucas-cranach-el-vell\/065012-000\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The Ill-Matched Couple<\/em><\/a>,\u00a01517;\u00a0Dom\u00e9nikos Theotok\u00f3poulos (El Greco),\u00a0<a href=\"https:\/\/www.museunacional.cat\/en\/colleccio\/saint-peter-and-saint-paul\/domenikos-theotokopoulos-el-greco\/005083-000\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Saint Peter\u00a0and Saint\u00a0Paulus<\/em><\/a>,<br \/>\n1590-1600; Francisco de Goya, <a href=\"https:\/\/www.museunacional.cat\/en\/colleccio\/allegory-love-cupid-and-psyche\/francisco-de-goya\/064996-000\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Allegory of Love, Cupid and Psyche [?]<\/em><\/a>,\u00a01798-1805<\/h6>\n<p>Throughout 2017 we have been working intensely on the rooms of Renaissance and Baroque that will be opened at the end of January 2018.<\/p>\n<p><strong>The museum team wishes you an excellent 2018!!!<\/strong><\/p>\n<p><strong>\u00a0<a href=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Nadala-2017.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-11875\" src=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Nadala-2017.jpg\" alt=\"\" width=\"620\" height=\"509\" srcset=\"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Nadala-2017.jpg 794w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Nadala-2017-300x246.jpg 300w, https:\/\/blog.museunacional.cat\/wp-content\/uploads\/Nadala-2017-768x631.jpg 768w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/strong><\/p>\n<h3>Related links<\/h3>\n<p><a href=\"https:\/\/blog.museunacional.cat\/en\/so-where-does-the-anger-go\/\" target=\"_blank\" rel=\"noopener noreferrer\">So, where does the anger go?<\/a> , Georges Didi-Huberman<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=L5H87dL2Htc\" target=\"_blank\" rel=\"noopener noreferrer\">Inaugural talk &#8220;Uprisings&#8221; (Subtitled in Catalan) (video &#8211; 57:44 min)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We present you with a visual review of our 2017 at the Museu Nacional. It has been a year of intense activity centred on the renovation works of the Renaissance and Baroque, of shaking up the collection and in the form of the temporary exhibitions, strengthening ties at a local and International level.\u00a0 Working for&#8230;<\/p>\n","protected":false},"author":21,"featured_media":11859,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[2],"tags":[67,1148,459,628],"class_list":["post-11867","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-general-en","tag-audiences","tag-exhibitions","tag-exhibitions-en","tag-family-activities","author-redacciomuseu"],"jetpack_featured_media_url":"https:\/\/blog.museunacional.cat\/wp-content\/uploads\/CAP\u00c7ALERA-7.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4tWCI-35p","_links":{"self":[{"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/posts\/11867","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/comments?post=11867"}],"version-history":[{"count":12,"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/posts\/11867\/revisions"}],"predecessor-version":[{"id":22546,"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/posts\/11867\/revisions\/22546"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/media\/11859"}],"wp:attachment":[{"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/media?parent=11867"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/categories?post=11867"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.museunacional.cat\/en\/wp-json\/wp\/v2\/tags?post=11867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}