Tag: modern art

Nonell, between tradition and modernity: affinities and complicities /1

Eduard Vallès and Francesc Quílez The following sections are devoted to reproduce a selection  of works by Nonell. The works are divided into several sections that correspond to his main artistic interests and the themes he explored. Each of these centres of interest is illustrated by some of Nonell’s most outstanding pieces, linked to their…

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Author: Eduard Vallès

Maria Sampere, eyes that always look at you

Sílvia Lanceta & Juli G. Pausas She looks at you all the time, wherever you place yourself, a few feet above you, enigmatic. Her haunting gaze captures all the attention. You contemplate the seduction of her eyes, grey as the sea at sunset, full of life and expectations. You follow the luminous sharpness of her…

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Author: Sílvia Lanceta

Nonell in context. Beauty from the margins

Francesc Quílez and Eduard Vallès The Museu Nacional has published a book about Isidre Nonell, entitled Nonell. Visions from the margins. The publication is the catalogue, turned into a book, of the exhibition that the Museu Nacional had planned to open in May 2020 and that could not be done, due to the COVID-19 pandemic….

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Author: Francesc Quílez

“Two Beggar Women”. The Museu Nacional’s Fortuny collection grows in importance with a new acquisition /2

Francesc Quílez I mentioned in part 1 that I would analyse some of the details associated with the process of creating this work. The aim is to resolve some of the unknown factors to do with the historical context in which it was made. To begin with, I can state that my first hunch, which…

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Author: Francesc Quílez

“Two Beggar Women”. The Museu Nacional’s Fortuny collection grows in importance with a new acquisition /1

Francesc Quílez On the verge of commemorating, next year, the hundredth anniversary of the acquisition of a workas emblematic as The Spanish Wedding, purchased through popular subscription, the Museu Nacional d’Art de Catalunya has recently enriched its collection of works by Marià Fortuny with a new acquisition that corroborates the close relationship that, throughout its…

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Author: Francesc Quílez

Welcome, modern times!

Mariàngels Fondevila One of the essential tasks of conservators is restructuring the collection, as well as stimulating its growth, so that it does not stagnate like a Pontine marsh. The museum has reopened the room Modern Life: Photography, Advertising, Film and Design, adding previously unexhibited works, and some newly admitted ones, to those already in…

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Author: Mariàngels Fondevila

Vidal Ventosa: Vallcarca, the Civil war and El Guayaba by Torres Campalans

Eduard Vallès There are characters who, without much fuss, appear behind countless cultural projects. One of the most solid cases in Catalan art is that of Miquel Utrillo, whose work had effects on heritage, art criticism and cultural initiatives of all kinds and the most difficult to measure, as the transmission of ideas or the…

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Author: Eduard Vallès

Restoring the colour of the light: stained glass windows in the Museu Nacional d’Art de Catalunya /2

Valeria Mamczynski In recent years several projects have been carried out to conserve and restore the stained glass windows in the Museu Nacional’s collection, which I began to discuss in a previous article. In this second article I shall continue to look at the restoration of these stained glass widows: Treatment for joining broken pieces…

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Author: Valeria Mamczynski

Restoring the colour of the light: stained glass windows in the Museu Nacional d’Art de Catalunya /1

Valeria Mamczynski The museum has a group of technically exquisite stained glass windows that includes some of the most characteristic examples of Catalan Modernisme, a movement in which stained glass, like all the other decorative arts, played an important part. In recent years several conservation-restoration projects have been carried out on the stained glass windows…

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Author: Valeria Mamczynski

“Non Finito”. Fortuny and the paradox of the perfectionist /2

Francesc Quílez The Battle of Tetouan, an excessively uncomfortable commission The Battle of Tetouan remained abandoned, half-finished, and became one of the most emblematic images in the studio that Fortuny had turned into a house-museum in the city of Rome in order to house his collection. The object occupied, as a decorative frieze, a preferential…

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Author: Francesc Quílez